They got further and
further from the occasion of the evening, until the effort of
Demosthenes closed the speaking with a scathing denunciation of the
machine politicians who had involved the Athenians in a war with Persia
to further the interests of Sparta. It was held that this was the
noblest tribute which could be paid to the genius of the man who had
brought them safely out of it. As the company broke up, Diogenes with
his lantern approached Themistocles, who was giving the reporters copies
of the speech he had not been asked to deliver, and, after examining his
countenance with a sigh of disappointment, accompanied him home as far
as his own tub; Athens at that time being imperfectly lighted, and the
reform government having not yet replaced the street names wantonly
obliterated under the regime of the Thirty Tyrants.
At the supper to AEschylus the tablets of the menu were inscribed with
verses from the elder poet ingeniously chosen for their imaginable
reference to the masterpiece of the younger, whose modesty was
delicately spared at every point. It was a question whether the
committee managing the affair had not perhaps gone too far in giving the
supper while Sophocles was away from Athens staging the piece at
Corinth; but there was no division of opinion as to the taste with which
some of the details had been studied. It was considered a stroke of
inspiration to have on the speaker's left, where Sophocles would have
sat if he had been present at a supper given to AEschylus, the sitting
figure of Melpomene, crowned with rosemary for remembrance. No allusion
was made to AEschylus during the evening, after his health had been
proposed by the chairman and drunk in silence, but a great and exquisite
surprise was reserved for him in the matter of the speeches that
followed. By prior agreement among the speakers they were all ostensibly
devoted to the examination of the _OEdipus_ and the other dramas of
Sophocles, which in his absence were very frankly dealt with. But the
unsparing criticism of their defects was made implicitly to take the
character of appreciation of the AEschylus tragedies, whose good points
were all turned to the light without open mention of them. This afforded
the aged poet an opportunity of magnanimously defending his younger
_confrere_, and he rose to the occasion, beaming, as some one said, from
head to foot and oozing self-satisfaction at every pore. He could not
put from him the compliments not ostensibly directed at him, but he
could and did take up the criticisms of the Sophoclean drama, point by
point, and refute them in the interest of literature, with a masterly
elimination of himself and his own part in it. A Roman gentleman present
remarked that he had seen nothing like it, for sincere deprecation,
since Caesar had refused the thrice-offered crown on the Lupercal; and
the effect was that intended throughout--the supreme honor of AEschylus
in the guise of a tribute to Sophocles.
Public-domain text, read in full here on John Shaqi.
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