Immortal Songs of Camp and Field: The Story of their Inspiration together with Striking Anecdotes connected with their HistoryBanks, Louis Albert
History
Immortal Songs of Camp and Field: The Story of their Inspiration together with Striking Anecdotes connected with their History
Banks, Louis Albert
National songs -- United States
In the Franco-Prussian war of 1870, _The Watch on the Rhine_ had for a
time a rival in a song the first verse of which ran:--
"It never shall be France's,
The free, the German Rhine,
Until its broad expanse is
Its last defender's shrine."
But when Von Moltke and old King William, with Bismarck and the Crown
Prince Frederick, pushed their armies over the Rhine toward Paris, the
war-like _Watch on the Rhine_ soon distanced all other songs in the
affections of the soldiers, and became the song of the nation.
[Illustration: _NATIONAL MONUMENT, NIEDERWALD_]
Perhaps this martial song was never sung under more splendid
circumstances than at the unveiling of the great National Monument
inaugurated in 1883 to commemorate the victories in the Franco-Prussian
war and the foundation of the new German Empire in 1870-'71. This
magnificent monument stands on the bank of the Rhine opposite the
beautiful town of Bingen, famous in history and story, on a wooded
hill nearly a thousand feet above the sea level, and flanked with
glorious vineyards. No national monument is a more perfect expression of
the spirit of a great people. The principal figure is a noble female
form, thirty-three feet in height, Germania, wearing an imperial crown,
and holding a sword wreathed with laurel as an emblem of the unity and
strength of the empire. The figure is the embodiment of self-conscious
dignity and strength. As a recent American traveler philosophizes, there
is nothing vain or conceited about it, but the pride and confidence of
one that knows and feels his power. The form erect and standing boldly
forth as if before the face of the whole world, the head gracefully
poised--thrown a little back, not haughtily nor disdainfully, but with
steadfast and self-reliant courage--seems to say, "Behold in me the
symbol of a great and mighty people!" On the right hand of the central
figure, but far beneath its feet, is a symbolical figure of War, winged,
with a helmet on its head, and a trumpet at its mouth, expressive of
Titanic energy, as if a single blast of the trumpet would bring a
million men in arms to the front. On the left is a symbolical figure of
Peace, smiling benignantly, and holding in her arms the emblems of
industry. These figures seem to say to the world, and especially to
France, "War, terrible and destructive, if we must; but Peace, if you
will."
In the hearts of the thousands of Germans gathered to unveil this great
monument, there must have been a thrill of electric energy as they sang
the popular song which it incarnated, for it stands as the crystallized
representative of _The Watch on the Rhine_.
[Illustration]
[Illustration: _LA FAYETTE_]
_THE MARSEILLAISE._
Public-domain text, read in full here on John Shaqi.
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