Immortal Songs of Camp and Field: The Story of their Inspiration together with Striking Anecdotes connected with their HistoryBanks, Louis Albert
History
Immortal Songs of Camp and Field: The Story of their Inspiration together with Striking Anecdotes connected with their History
Banks, Louis Albert
National songs -- United States
In the morning he handed the song complete, with words and music, to his
friend, Baron Dietrich. Every one was enchanted with the song, and was
roused by it to the greatest enthusiasm. It was sung a few days later at
the departure of the troops from Strasburg, and thence to the insurgents
of Marseilles, and soon to all the nation. In six months it had been
adopted by the people, the army, the legislature, and the whole country.
Its appeal to liberty and glory voiced the hunger of the popular heart
at the time, and never did song so completely charm and capture an
entire people.
De Lisle's mother was a most ardent royalist, and when the hymn was on
everybody's lips, asked of her son, "What do people mean by associating
our name with the revolutionary hymn which those brigands sing?" De
Lisle himself, proscribed as a royalist, when flying for his life in the
Jura Mountains, heard it as a menace of death, and recognizing the air
as that of his own song, asked his guide what it was called. It must
have seemed to him that day like a Nemesis of his own creation. It had
then been christened _The Marseillaise Hymn_.
De Lisle was reduced to great poverty in later years. It is
characteristic of the French nation that, a short time before his death,
when poverty and age had crushed out the hopes and ambitions of life and
he was no longer capable of receiving great joy from any honor that
might come to him, the National Government decorated him with the ribbon
of the Legion of Honor. It will no doubt do the same thing for Émile
Zola. Not long after this tardy recognition, several pensions were
conferred upon him, which he lived to enjoy but for a few months. He
died in 1836.
The English translation of the _Marseillaise_ as here given was
published in 1795, only three years after the original was written. The
translator's name is unknown, but it is considered the best English
version.
[Illustration: _VIEUX PORT, MARSEILLES_]
Public-domain text, read in full here on John Shaqi.
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