England -- Social life and customs -- 19th century -- Fiction; Young women -- Fiction
Imogen glanced at her earnestly: the reverent expression struck her.
"But," she went on, "for the thing itself, the miserable mistake and
mortification, I don't think honestly that I was to blame, except that I
was silly and, I suppose, vain."
Her candour impressed the other favourably. It is a proof of real
humility to own one's self _vain_.
"You must have been very young," she said almost more gently than she
had yet spoken. "Supposing you begin at the _now_; try to put right
some of the wrong you _now_ are conscious of. Do not think me officious
or presumptuous," she added. Then almost in a whisper, "The dying are
privileged, you know."
"Oh, don't!" Imogen exclaimed, raising her hand as if to ward off an
impending blow. Then she answered by a question, "Shall you be here
to-morrow morning, about this time?"
"Yes, if it is fine, I think I may say certainly so."
"I am going to _think_," said the girl simply. "And perhaps you will
let me talk to you a little more. To-morrow is only Thursday, and we
don't go till Monday. I do hope I have not tired you?" she added
anxiously.
"No, truly no. You have interested me very much. And if I can be of
even the tiniest bit of help to you, it would be delightful. The
feeling one's self _so_ useless, so condemned to lie still, is almost
the worst part of it;" and again the colour rushed over her face.
"I think just to see you is use," Imogen replied.
Then she went home, and she _thought_.
And "to-morrow" was fine, and Imogen had not thought in vain, nor had
her new friend in any way forgotten her.
"I am going to tell you everything," said the girl. "I don't like it at
all, even though you do not know my name, and perhaps we may never meet
again. But I know I can trust you, and I want you to say plain, even
hard things to me, if _you_ think I need them."
Then followed the story--simple enough, after all, which we know.
The invalid listened intently. Once or twice, when Imogen came to the
climax of the changed letters, alluding, though but slightly, to her
faint suspicion that all had not been mere accident in the little drama,
she started as a restrained exclamation of pity or of indignation,
perhaps of both, rose to her lips. But when Imogen had finished, quite
finished, though she took her hand and held it, for some moments she did
not speak. Then said the girl, waxing impatient, as was her way:
"Why don't you say something? I told you I would not mind
plain-speaking or hard speaking. Do you think me beneath contempt?"
Public-domain text, read in full here on John Shaqi.
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