Impressionist painting: its genesis and developmentDewhurst, Wynford
History
Impressionist painting: its genesis and development
Dewhurst, Wynford
Artists -- Portraits; Impressionism (Art)
· A rare and interesting _brochure_.
THÉODORE DURET:
Histoire d’Édouard Manet. H. Floury, Paris,
1902.
· The official biography of Manet, by his
life-long friend and executor, with many illustrations, and a
complete catalogue of works.
Les Peintures Impressionistes. Paris,
1878.
· A short treatise on Impressionism,
explanatory and defensive, with biographical notes of Monet,
Sisley, Pissarro, Renoir, Morisot.
L’art Japonais. Quantin, Paris.
Critique d’avant garde. Charpentier,
Paris, 1885.
Degas. _The Art Journal_, London, 1894.
· A critical illustrated article.
FÉLICIEN FAGUS:
Petite gazette d’art Cézanne. _Revue
Blanche_, Paris, December 1899.
Petite gazette d’art, Camille Pissarro.
_Revue Blanche._ Paris, April 1899.
FELIX FÉNÉLON:
Les Impressionistes en 1886. Paris, 1886.
ANDRÉ FONTAINAS:
Art Moderne, Zandomeneghi. _Mercure de
France_, April 1898.
Art Moderne, Camille Pissarro. _Mercure de
France_, July 1898, May 1899.
Art Moderne, Exposition Cézanne. _Mercure
de France_, June 1898.
Art Moderne, Renoir. _Mercure de France_,
July 1898, May 1899.
ANDRÉ FONTAINAS:
Art Moderne, Claude Monet. _Mercure de
France_, July 1898, May 1899.
PASCAL FORTHUNY:
Catalogue des Tableaux Modernes. Preface by
Roger Marx. Durand-Ruel, Paris.
· Richly illustrated.
PASCAL FORTHUNY:
Catalogue de Tableaux. Préface by H.
Fourquier. Bernheim et Chevallier, Paris.
· A handsome volume illustrated by
many engravings and photographs.
W. H. FULLER:
Claude Monet and his Paintings.
_Evening Sun_, New York, January 26, 1899.
GUSTAVE GEFFROY:
Sisley, Préface pour la Vente. May 1, 1899.
Notice de l’Exposition d’Œuvres de Camille
Pissarro. Paris, February 1890.
La Vie artistique. E. Dentu, Paris,
1892-1900.
· These volumes of art criticism cover
the whole field of Impressionism, and include a lengthy
history of the movement. To the student and historian of
modern French art they are invaluable.
Public-domain text, read in full here on John Shaqi.
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