Mary Cassatt, Préface de l’Exposition de 1897. L’Exposition de 1900, L’Impressionisme. H. Floury, Paris, 1900. · Contains short essays upon pictures exhibited at the Exhibition, with particular reference to Impressionist works, together with a useful bibliography. Le Mouvement Idéaliste en Peinture. H. Floury, Paris. · A biographical sketch of the artists who associated themselves with this movement, 1885-95; Puvis de Chavannes, Gustave Moreau, Odilon Redon, Paul Cézanne, Vincent van Gogh, Toulouse-Lautrec, &c. F. H. MEISSNER: A German Revolutionary—Max Liebermann. _Art Journal_, London, August 1893. ANDRÉ MICHEL: Notes sur l’Art Moderne. Colin, Paris, 1896. · Essays on Corot, Millet, Delacroix, Monet, Puvis de Chavannes. O. MIRBEAU: Claude Monet. “L’Art dans les Deux Mondes.” Paris, March 1891. Camille Pissarro. “L’Art dans les Deux Mondes.” Paris, January 1891. _Le Figaro_, Paris, February 1, 1892. O. MIRBEAU: Together with Bouyer, Tailhade, Maus Mellerio, Dan, Mauclair, Geffroy, Marx, Mourey. J. F. Raffaëlli. Paris. · A collection of illustrated appreciations of the artists. MATTHIAS MORHARDT: Eugène Carrière. _Magazine of Art_, London, August 1898. GEORGE MOORE: Modern Painting. Scott, London, 1898. · Impressions and Opinions. Nutt, London, 1890. These two books contain interesting essays upon Whistler, Manet, Corot, &c. RICHARD MUTHER: The History of Modern Painting (3 volumes). Henry, London, 1896. THADÉE NATANSON: Claude Monet et Paul Cézanne. _La Revue Blanche_, Paris 1900. De M. Renoir et de la Beauté. _La Revue Blanche_, Paris, 1900. MAX OSBORN: Claude Monet. _Das Magazin für Literatur_, Dec. 1896. MILES L. ROGER: Les Artistes Célèbres. Corot, Paris. Catalogue de Tableaux, Collection du Docteur D. Chevallier et Petit, Paris. · Many illustrations, chiefly from works by Boudin. Catalogue de Tableaux, Succession of Mme. Veuve Chocquet. Petit et Mannheim, Paris.