Now and then they will offer me some apology for begging, in a tone
that says, “I know how it is myself”; and once there was one who began
by saying, “I know it’s a shame for a strong man like me to be begging,
but--” They seldom have any devices for working me, beyond the simple
statement of their destitution; though there was a case in which I
helped a poor fellow raise a quarter upon a postal order, which he then
kept as a pledge of my good faith. Their main reliance seems to be
lead-pencils, which they have in all inferior variety. I find that they
will take it kindly if you do not want any change back when you have
given them a coin worth more than they asked for the pencil, and that
they will even let you off without taking the pencil after you have
bought it. In the end you have to use some means to save yourself from
the accumulation of pencils, unless you are willing to burn them for
kindling-wood; and I find the simplest way is not to take them after
you have paid for them. It is amusing how quickly you can establish a
comity with these pencil people; they will not only let you leave your
pencils with them, but they will sometimes excuse you from buying if
you remind them that you have bought of them lately. Then, if they do
not remember you, they at least smile politely and pretend to do so.
IV.
Ought one to give money to a hand-organist, who is manifestly making
himself a nuisance before the door of some one else? I have asked
myself this when I have been tempted, and I am not yet quite clear
about it. At present, therefore, I give only to the inaudible street
minstrels, who earn an honest living, and make no noise about it. I
cannot think that a ballad-singer on Sixth Avenue, who pours forth his
artless lay amid the roar and rattle of the elevated trains, the jangle
and clatter of the horse-cars, the bang of the grocers’ carts, and the
thunder of the express-wagons, is practically molesting anybody; and
I believe that one can reward his innocent efforts without wronging
his neighbors. It is always amusing to have him stop in his most
effective phrase to say, “Thank you, thank you, sir,” and then go on
again. The other day, as I dropped my contribution into the extended
hat, I asked, “How is business?” and the singer interrupted himself to
answer, “Nothing-to-brag-of-sir-thank-you,” and resumed with continuous
tenderness the “ditty of no tone” that he was piping to the inattentive
uproar of the street.
Public-domain text, read in full here on John Shaqi.
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