Impressions of England; or, Sketches of English Scenery and SocietyCoxe, A. Cleveland (Arthur Cleveland)
History
Impressions of England; or, Sketches of English Scenery and Society
Coxe, A. Cleveland (Arthur Cleveland)
England -- Description and travel
However, their Lordships’ House! There is the Throne; and I defy any one
to look at the Throne of England without veneration. It is a gorgeous
seat, over which appear the royal arms, while on its right and left are
seats for the Prince Consort and the Prince of Wales. A splendid canopy
overhangs the dais on which these seats are ranged, and the dais itself
is covered with a carpet of “scarlet velvet pile, spotted with heraldic
lions and roses.” The ceiling is ribbed with massive gilded bands, and
richly bossed and set with devices in all the colours of blazonry.
Between the lofty windows are niches intended to receive the bronze
statues of the old Magna Charta Barons, while the windows themselves are
filled with stained glass, commemorative of the Kings and Queens of
England. The subordinate ornaments and furniture are all in keeping. On
the right hand of the Throne, are the seats appropriate to the Bishops,
where the Church “lifts her mitred front” before the Sovereign, and
teaches her by whom she reigns, and how she may execute judgment. But
directly in front of the Throne is the _woolsack_, covered with red
cloth, and otherwise made suitable to “the keeper of the Queen’s
conscience,” who ordinarily sits thereon. Before this are the clerks’
table and seats, and then the bar; while on either hand range the
crimson benches of the Peers. At the end of the hall is the reporters’
and strangers’ gallery, of very small dimensions, from which, however,
one gets the best view of the whole interior, and of the striking
pictures over the Throne. These are happily chosen as to subjects, and
well executed as frescoes. In the centre is the Baptism of King
Ethelbert—the symbol of a truly Christian realm: on one side is the
Black Prince receiving the Garter—a symbol of genuine chivalry; and on
the other is Henry, Prince of Wales, submitting to imprisonment for an
assault upon Judge Gascoigne—a most speaking exhibition of the
time-honoured relations subsisting between British Royalty and British
Law. It will be a wholesome thing for every future Prince of Wales to
look at this picture, before he presumes to sit down under it. It may
really have an important influence in moulding the character of future
Kings. God grant it may!
Public-domain text, read in full here on John Shaqi.
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