Impressions of England; or, Sketches of English Scenery and SocietyCoxe, A. Cleveland (Arthur Cleveland)
History
Impressions of England; or, Sketches of English Scenery and Society
Coxe, A. Cleveland (Arthur Cleveland)
England -- Description and travel
wholesome discipline were still in existence under the English sceptre,
and hence my amusement and surprise to behold them, and to find so many
memories of their history reviving at the sight; among which were
prominent those classical verses of the Anti-Jacobin—
“Justice Oldmixen put me in the parish-
Stocks, for a vagrant.”
Verily a queer old place is Eynsham, from the days of King Ethelred, the
Unready, who had a villa here, and those of King Stephen, who gave it
the very equivocal privilege of a market “on the Lord’s day,” under the
patronage of its Abbot and its monks. On inquiring for the remains of
the Abbey, we were informed that some new relics of its ancient chapel
and cemetery had just been discovered in a neighbouring field. We had
therefore the pleasure of seeing, sure enough, the encaustic tiles of
its sanctuary, just laid bare, after ages of concealment in the earth.
They were of various patterns and devices, St. George and the Dragon
forming, apparently, a conspicuous part of the design. But the old
gardener who showed us these discoveries, went on to tell us that in
digging further, he had just laid bare some _frames_ which he should
like to have us see, and so leading us to another part of the ground, he
showed us _the frames_, indeed, which proved to be nothing less than the
skeletons of the old monks of Eynsham, protruding from their graves.
Often had these same “frames” sung in the choir, and walked over those
same tiles we had just been viewing. How old they might be we could not
say; but they were the bones of old Christians, and most probably of
Christian priests, and there they had been laid in hope of the
Resurrection, so that it seemed to me almost profane to be staring at
them, as if they were a show. _Requiescant in pace._
Public-domain text, read in full here on John Shaqi.
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