Impressions of England; or, Sketches of English Scenery and SocietyCoxe, A. Cleveland (Arthur Cleveland)
History
Impressions of England; or, Sketches of English Scenery and Society
Coxe, A. Cleveland (Arthur Cleveland)
England -- Description and travel
The terraced gardens, with their shades, and balusters, and steps, and
walks, and portals, are in keeping with all the rest, and the tale of
the Lady Dorothea Vernon, and of her mysterious elopement, is enough to
fill them with the charm of romance. From one of the towers you look
down upon the whole range of roofs and courts, and then gaze far away
over a beautiful view of the vale of Haddon. Before you depart you are
shown some ancient utensils belonging to the place, such as jack-boots,
and match-locks, and doublets. These are kept in the apartment of my
reverend brother, the domestic chaplain, whoever he may have been; but
whether he had any use for such things I cannot bear testimony. The
adjoining chapel in which he officiated is very small, and quite plain.
The ancient piscina, beside the altar, tells its simple story of the
rites which, according to the mediæval liturgy of England, hallowed it
of yore. It conjured up before my fancy the midnight mass of Christmas,
as described by Scott—
“That night alone, of all the year,
Saw the stoled priest the chalice rear.”
It was, at any rate, no Tridentine Eucharist, though it was a mutilated
one; and sad as were the scenes of debauchery with which those
solemnities are associated, I could not but trust that, even here,
Christ crucified had been truly worshipped, of old, on the solemn feast
of his Nativity, and on many other occasions of Christian joy or
penitence. Who would not cling to such communion with ancient piety? And
yet this natural sympathy, when morbidly developed, has done more than
all things else together, to bewitch the imaginative with Romanism, and
to make them slavish captives to a Church which has retained nothing
mediæval except that newfangled creed, to which the departed spirit of
Mediæevalism has bequeathed none of its poetry, and which only exists as
the inanimate slough of its superstition.
Public-domain text, read in full here on John Shaqi.
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