Impressions of England; or, Sketches of English Scenery and SocietyCoxe, A. Cleveland (Arthur Cleveland)
History
Impressions of England; or, Sketches of English Scenery and Society
Coxe, A. Cleveland (Arthur Cleveland)
England -- Description and travel
It is vain for me to attempt a minute description of the pleasures of
this day’s drive. The scenery was richly varied, and after seeing the
finest scenery of Savoy, and of the Swiss Cantons, I still recall it
with satisfaction, and long to go through it once more. Our way lay
along the skirts of the dreary Lake Ogwen, and then over its desolate
heath; from which our emerging into the enchanting Yale of Capel Curig,
was like turning from a page of Dante’s Inferno to a passage in his
description of Paradise. Here majesty and loveliness indeed combine, in
the sweet diversity of woods and waters, and vales and mountains, to
furnish an ideal of natural beauty, which might satisfy a poet or a
painter. Amid all, rises the glorious summit of old Snowdon, of which I
obtained my finest impressions from this spot. The scenery of the river
Swallow, by which our way continued, is marvellously picturesque, and
its waterfall is admirable, even to the eye of an American. Near
Bettws-y-coed, the panorama assumed a more pastoral character, and gave
us a glimpse into the Vale of Llanrwst; and then, for a long time, every
turn opened new scenes of beauty and delight. At Cerrig-y-Druddion, if
the scenery was distasteful again, not so were the trout from the
mountain streams, on which I made a delicious repast. It was from this
place, to which the poor prince had made good his retreat, that the
primitive Caradoc, with his family, were carried prisoners to Rome,
where he made that famous speech, which is the memorial of his name.
Through various scenes of interest, which I might be more willing to
enumerate, were only their names pronounceable, I reached Corwen, where
was the hold of Glendower, and where, in the ancient Church, I visited
the tomb inscribed _Jorwerth, Vicarius de Corvaen Ora pro eo_. At the
inn sat an old blind Welshman, playing the Welsh harp, and soliciting
charity, which, for Homer’s sake, no one could refuse. Thenceforward the
scenery again increased in interest.
Public-domain text, read in full here on John Shaqi.
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