Impressions of England; or, Sketches of English Scenery and SocietyCoxe, A. Cleveland (Arthur Cleveland)
History
Impressions of England; or, Sketches of English Scenery and Society
Coxe, A. Cleveland (Arthur Cleveland)
England -- Description and travel
The rest of the day was devoted to an excursion to Tintern, to which the
ladies contributed their agreeable society. The party proved a very
cheerful one, and we encountered scarcely any fatigue of which our
fairer associates did not bear their full share. In surveying the
remains of Chepstow castle, only, were we without their company. I found
it a noble ruin, even after my visit to Caernarvon. It was reduced to
ruin by Cromwell, after a desperate fight, but one of its towers was
long afterwards—for twenty years—the prison of Henry Marten, the
regicide. It must once have been a splendid hold of feudalism, and its
halls and windows still retain many traces of the Saxon and Norman
richness of its original beauty.
We climbed the Windcliff, and thence surveyed the combined glories of
land, and sea, and of inland stream, which are its peculiar charm. Where
else can be seen such a prospect: such inland river scenery, blended
with the view of a broad arm of ocean, side by side, and apparently not
united? It would be vain for me to attempt description, but I found it
all I could ask; and on that breezy height recalled to mind those
incomparable lines of Wordsworth, composed upon the spot or near it, in
which he exhorts the lover of Nature to store up such scenes in memory,
and thus make “the mind a mansion for all lovely forms.” There are caves
below, through which one of my female friends led me like a Sybil; and
then I went under her kind escort through a wild American-like wood, to
rejoin our carriage. Two miles more of delightful scenery, and I stood
again in Tintern Abbey, and wandered through its holy aisles, and
climbed to its venerable summit. Here, over the lofty arches of the
transept, I walked, as in a path through a wood, the shrubbery growing
wildly on both sides, as on the brow of a natural cliff. White roses
flourish there in abundance; and it is only at intervals that you can
get a glimpse of the Abbey-floor beneath. Around you is a beautiful
prospect of the river, and of an amphitheatre of hills; and when you
stand in the aisles below, and view these same hills through the broken
windows, you feel that they should never have been glazed, except with
transparent glass. On the whole, when the beauty of its situation is
fully taken into consideration, in addition to the original graces of
its architecture,—its graceful pillars, its aerial arches, its gorgeous
windows,—and when we observe the fond effect with which nature has
clothed the pile in verdure, as if resuming her power with tenderness,
and striving to repair the decays of art, with her own triumphant
creations; when all these, and other attractions which cannot be
enumerated in description, are united in the estimate, I cannot but give
to Tintern Abbey the credit of being the fairest sight, of its kind,
which ever filled my vision. I have since seen many similar objects,
combining architectural beauties with those of nature, but were I
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