Impressions of England; or, Sketches of English Scenery and SocietyCoxe, A. Cleveland (Arthur Cleveland)
History
Impressions of England; or, Sketches of English Scenery and Society
Coxe, A. Cleveland (Arthur Cleveland)
England -- Description and travel
Passing under the heights of Clifton, and landing in Cumberland basin, I
climbed the steep, took my lodgings at Clifton, and then went on foot
into Bristol, over Brandon-hill, enjoying the magnificent panorama which
unfolds on every side, and comprehends the finest features of town and
country, of water and of land. My first thought was the famous Church of
St. Mary Redcliffe, and thither I took my way. The poetry of Chatterton
was the delight of my boyhood, and this Church I had long desired to
see. I found it undergoing restoration, but not the less open to
inspection. It is indeed a masterpiece of architecture; its clustered
pillars, and the fan-like spread of its vaulting, with its fourfold
aisles, and rich quatrefoil windows, affording the keenest satisfaction
to the artist, and affecting every man of taste with overwhelming
emotions of religion, which may well be made salutary to the soul. Here
are some pictures by Hogarth, of a character superior to his general
efforts; one of which, representing “the Ascension of our Lord,” shows
him to have possessed fine sensibilities, and a delicate appreciation of
the more poetical provinces of his art. The monument of “Master
Canynge,” the Mayor, who figures so richly in the “Bristowe tragedy,”
attracted my profound attention, as did also several others less
mentionable, though very interesting. Of Chatterton himself, no monument
is to be seen, save the old muniment-room, and the chests, from which he
fished his bold idea. The monument, which was erected a few years since
to his memory, has for some reason been removed, and now lies
dishonoured in the crypt. It is impossible to think of that marvellous
boy without pity, in spite of his moral delinquencies; and I can
scarcely read the ballad of Charles Bawdin without tears, excited as
much by the fate of its author, as of its hero. His moral perceptions
must have been of a fine cast, or he never could have conceived that
poem; and who would not choose to believe that had he encountered mercy
and loving-kindness from those who ought to have befriended him, his
splendid genius might have been made a rich blessing to himself and to
the world?
Public-domain text, read in full here on John Shaqi.
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