Impressions of England; or, Sketches of English Scenery and SocietyCoxe, A. Cleveland (Arthur Cleveland)
History
Impressions of England; or, Sketches of English Scenery and Society
Coxe, A. Cleveland (Arthur Cleveland)
England -- Description and travel
I made the usual circuit of the castle; but with the details which every
guide-book furnishes, I would not fatigue my readers. For the mere show
of royal furniture, my mind could find little room; and mere
State-apartments, as such, were even a distasteful sight. But the noble
architecture, and unrivalled site of the castle; its histories, and the
charm which association gives to every tower and window, and to the
whole scene with which it fills the eye—these are the sublime elements
with which Windsor inspires the soul, and impregns the imagination. _Hoc
fecit Wykeham_—is the inscription one catches, deep cut in the wall of
one of the towers: an _equivoque_ which the ambitious architect is said
to have interpreted, as implying that _the work was the making of him_,
when asked by his royal patron how he dared to claim the castle as a
creation, and turn it into a memorial of himself. But who can
appropriate Windsor? The humble poet, by a single song, has taken its
terrace to himself; and every stone, and every timber, might bear some
appropriate and speaking legend. I thought chiefly of Charles the First.
How he loved this castle! How he would have adorned it, and what a home
of worth and genius he would have made it, had he not fallen on evil
times! That truly English heart beat warmly here, a few weeks before it
ceased to beat forever; and along this esplanade was borne his bleeding
body, (on which fell the symbolic snow of a passing cloud,) to its last
sublime repose. “So went the white king to his rest,” says a quaint
historian: and when, at Evening Prayer in St. George’s chapel, I
reflected that his solemn relics were underneath, I felt a reviving
affection for his memory, almost like that of personal love. The dying
sunbeams gilded the carvings of the sanctuary and the banners of the
knights; I sat in one of the stalls near the altar, and observed near me
the motto—_cœlum non animum mutant qui trans mare currunt_. When at
length the anthem swelled through the gorgeous chapel—_Awake up my
glory_—I could not but respond, inwardly, that it was meet that the
glory of God should be thus perpetually uplifted in the palace of a
Sovereign, whom he has so magnified in the earth. And to which of her
Sovereigns does England owe it, that she is not now either a cracked
Commonwealth, without God and without government, or else an iron
despotism, in the grasp of successful usurper? He who sleeps under that
chapel said that he died “a martyr for the people:” and so he did. On
the principle by which Macaulay attributes the liberties of England to
her Cromwells, we might attribute salvation to Judas and Pontius Pilate.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account