Impressions of England; or, Sketches of English Scenery and SocietyCoxe, A. Cleveland (Arthur Cleveland)
History
Impressions of England; or, Sketches of English Scenery and Society
Coxe, A. Cleveland (Arthur Cleveland)
England -- Description and travel
My next visit was to Hampton Court, for which I found a day quite
insufficient, when reduced to the actual hours which one is permitted to
devote to the survey of such a wilderness of natural and artificial
charms, and to the enjoyment of their historical interest. In the
grounds of the palace, and in Bushy Park, I found a formal grandeur, so
entirely becoming a past age, and so unusual in this, that it impressed
me with feelings of melancholy the most profound. Those avenues of
chestnuts and thorns, those massive colonnades and dreamy vistas, wear a
desolate and dreary aspect of by-gone glory, in view of which my spirits
could not rise. They seemed only a fit haunt for airy echoes, repeating
an eternal _Where?_ Nothing later than the days of Queen Anne seems to
belong to the spot. You pass from scenes in which you cannot but imagine
Pope conceiving, for the first time, his “Rape of the Lock,” into a more
trim and formal spot, where William of Orange seems likely to appear
before you, with Bishop Burnet buzzing about him, and a Dutch guard
following in the rear. Then again, James the Second, with the Pope’s
nuncio at his elbow, and a coarse mistress flaunting at his side, might
seem to promise an immediate apparition; when once more the scene
changes, and the brutal Cromwell is the only character who can be
imagined in the forlorn area, with a file of musketeers in the
back-ground, descried through a shadowy archway. Here is a lordly
chamber where the meditative Charles may be conceived as startled by the
echo of their tread; and here another, where he embraces, for the last
time, his beloved children. There, at last, is Wolsey’s Hall, and here
one seems to behold old Blue-beard leading forth Anne Boleyn to a dance.
It still retains its ancient appearance, and is hung with mouldering
tapestry and faded banners, although its gilding and colors have been
lately renewed. The ancient devices of the Tudors are seen here and
there, in windows and tracery, and the cardinal’s hat of the proud
churchman, who projected the splendors of the place, still survives, in
glass, whose brittle beauty has thus proved less perishable than his
worldly glory.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account