Impressions of England; or, Sketches of English Scenery and SocietyCoxe, A. Cleveland (Arthur Cleveland)
History
Impressions of England; or, Sketches of English Scenery and Society
Coxe, A. Cleveland (Arthur Cleveland)
England -- Description and travel
instinct with the spirit of a happy revival, and giving promise of
better things to come. The collections are also rich in specimens of
Flemish and Italian art; and warmed me with a desire hardly felt before
in England, to be off on a contemplated tour of the Continent.
On my way to Winchester, I was led to stop for an hour at Basing-stoke,
by an idle curiosity to behold a place in which some of my forefathers
once resided. It gave me an opportunity of visiting the tomb of the
elder Warton, close by the altar of the parish Church. From Winchester I
went by post, in the twilight, over downs, and through dingles and
dales, to Hursley, where I entered the Church, and found Mr. Keble and
his curate celebrating Evening Prayers. I had brought with me, from
Hampton Court, a feeling of overpowering depression, and having seen the
admired poet in circumstances so fitting to his character as a Christian
priest, I was about to turn away, and drive back to Winchester, when
another impulse suddenly prevailed, and I ventured to present myself. I
had a preconception of his piety and unworldliness, that affected me
with awe, and embarrassed me, in approaching him; nor did anything in
his cordiality divest him of something that restrained me in his
presence. Nothing could be more simple and unaffected than his manner;
and yet, in a word, it was as if George Herbert had risen from his
grave, and were talking with me, in a familiar way. He would not hear of
my departure, but instantly made me his guest; and thenceforth I was in
a dream, from the time that I first saw him till I bade him farewell.
Nothing could be more kind than his hospitality; nothing more delightful
than the vision on which I opened my eyes, in the morning, and looked
out on his Church, and the little hamlet contiguous. Hursley is a true
poet’s home. It is as secluded as can well be imagined. England might
ring with alarms, and Hursley would not hear it: and it seems all the
more lonely, when one learns that Richard Cromwell retired hither, from
a throne, and after waxing old in a quiet contentment, died here in
peace, and now sleeps beneath the tower of the Church, just under the
vicar’s windows, with all the cousinry of the Cromwells around him. A
wise fool was Richard! But to think of a Cromwell lying still, in such a
Church as Mr. Keble has made this of Hursley! It has been lately
rebuilt, from the foundation, all but the tower, and its symbolism and
decoration are very rich, though far from being overdone. The taste that
has enshrined itself in “the Christian Year,” has here taken shape in
stones. One of the windows, the gift of friends, is an epitome of that
delightful work, and displays the chief festivals, beginning with the
Circumcision. In the minute adornment of the corbels, my attention was
called to a beautiful idea, which runs through the whole series, and
which is said to furnish the hint for interpreting the ornaments of
older churches.
Public-domain text, read in full here on John Shaqi.
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