Impressions of England; or, Sketches of English Scenery and SocietyCoxe, A. Cleveland (Arthur Cleveland)
History
Impressions of England; or, Sketches of English Scenery and Society
Coxe, A. Cleveland (Arthur Cleveland)
England -- Description and travel
In Winchester Cathedral I attended Morning Service, on the feast of St.
John Baptist. I am sorry to say that here, too, the service is
ill-performed; not that there is nothing to enjoy in it, even now: but
that when one reflects what ought to be the daily worship of such a
cathedral, and what it might be, if the laws of the cathedral were
enforced, and if a holy zeal were more characteristic of its
dignitaries: there is nothing to say but—_shame_ on things as they are.
When will the conscience of England clamour against such disgraceful
poverty of cathedral worship; and when will the brain of England wake up
to a sense of what these churches might do for the nation, if rightly
served and administered? The feature of this cathedral which most
impresses the stranger, is its far-sweeping length of nave and choir,
with the light or shadowy vistas, through columns and arches, which seem
to multiply its interminable effect. In its details it is also very
rich, and several of its monuments are of unequalled magnificence. Here
lies, in his superb chantry, William of Wykeham, whose mitred and
crosiered effigy, stretched at full length upon his sepulchre, seems
sublimely conscious of repose, after a life of vast achievement, in
rearing schools for youth, and colleges for the learned, and palaces for
princes, and hospitals for the poor, and temples for God. Bishop
Wayneflete is not less superbly sepulchred in a small chapel, or
chantry, of elegant design, beautifully enriched, and gilded, and kept
in complete repair by the Fellows of his College, at Oxford. His effigy
bears, in clasped hands, a heart, which he thus uplifts to heaven, as it
were, in fervent response to the _Sursum Corda_ of the Liturgy. Over
against this chantry rises, in twin magnificence, that of Cardinal
Beaufort: but in spite of its placid air, beneath those solemn
tabernacles one looks upon his figure with painful remembrances of the
death-scene which Shakspeare has so powerfully depicted. “He dies and
makes no sign,” is the awful thought that haunts the mind, as one
lingers about this perpetual death-bed; and yet it is not difficult to
conclude the inspection with the more charitable ejaculation of King
Henry—
“Forbear to judge, for we are sinners all.
Close up his eyes, and draw the curtain close,
And let us all to meditation.”
Public-domain text, read in full here on John Shaqi.
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