Impressions of England; or, Sketches of English Scenery and SocietyCoxe, A. Cleveland (Arthur Cleveland)
History
Impressions of England; or, Sketches of English Scenery and Society
Coxe, A. Cleveland (Arthur Cleveland)
England -- Description and travel
As the means of information respecting Cambridge are in everybody’s
hands, and as the picturesque of its colleges and grounds is familiar
from engravings, I shall spare my reader the trouble of details which
might seem a repetition of those of Oxford. In St. John’s college, which
its own men are accused of considering the University, I found the
chapel, though small and plain, a most attractive place. Its “non-juror
windows,” and other memorials, revive many historical names. I know not
why the Johnians have received the Pindaric epithet of Swine, but so it
is; and the peculiarly pretty bridge, spanning the Cam, which unites its
quadrangles and halls, has accordingly won the sportive name of the
“Isthmus of _Sues_.” In the very pleasant grounds adjacent, I plucked a
leaf from the silver-beech, said to have been planted by Henry Martyn,
and breathed a blessing on his memory. A fellow of Trinity kindly
devoted himself to showing me the attractions of his college, and they
are very great. The library is a Valhalla of literary heroes, the sons
of Trinity, whose busts adorn the alcoves: and the statue of Byron, by
Thorwaldsen, is a superb addition to its treasures of art, which, on the
whole, will do no harm here, excluded as it was from Westminster Abbey,
by a virtuous abhorrence of the bold blasphemer whom it represents, and
thus stamped as deep with infamy as it is otherwise clothed with
attractiveness. Among the relics of the collection, there were two which
any man must behold with reverence: a lock of Sir Isaac Newton’s hair,
and the original manuscripts of Paradise Lost, and of Lycidas! Then to
the chapel—that chapel which ever since I read “the Records of a Good
Man’s Life,” in school-boy days, I had longed to see, and where I had
often wished it had been my lot to pray, in college life. In the
ante-chapel, there was that statue of Newton, so beautifully described
by the author, as arresting the melancholy attentions of a consumptive
youth, as he passed it, for the last time, in his surplice, and
confessed that this had been too much his idol, in that house of God,
filling his enthusiasm with the worship of genius, when he should have
thought only of his Maker. I shall never forget the thrills of excited
imagination with which I received some of my first impressions of
Cambridge, in reading that story of Singleton: and now they all revived
as I stood upon the spot.
Public-domain text, read in full here on John Shaqi.
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