Impressions of England; or, Sketches of English Scenery and SocietyCoxe, A. Cleveland (Arthur Cleveland)
History
Impressions of England; or, Sketches of English Scenery and Society
Coxe, A. Cleveland (Arthur Cleveland)
England -- Description and travel
without the paradoxical intervention of a Cromwell, while there is
nothing left us, as the direct results of Puritanism, except a few
Socinian congregations, and the “Dissenters’ Chapels’ Bill.”
The massiveness of some portions of this cathedral, and the lightness
and grace of others, are very impressive. Its length is very great, and
the vista “long drawn out.” Amid its ancient monuments I spent a solemn
hour of musing, while the light of the descending sun, through the
clere-story and lantern, showered a soft and melancholy radiance over
the whole interior, admirably harmonizing with the reflections it
necessarily inspired.
I found Peterborough another sleepy little city, and the cathedral
beautifully situated, with the Bishop’s palace hard by. It is a severe,
but grand exterior, and presides over the surrounding trees, and roofs,
like a sort of divinity. It is quite free of encroachment from other
buildings; but its close, or precinct, is guarded by a circuit of
prebendal, and other ecclesiastical houses, with turreted and arched
gateways, which seem to command a reverent approach to the sacred spot.
I omit a technical description of the architecture, but must be allowed
to give some account of the Sunday I spent there, and of one or two
little things that deeply affected me.
While the bells were thundering for Morning Service, I stood in the
nave, wholly lost in contemplation of its plain, but massive majesty. A
train of children entered, with their teachers, evidently a
Sunday-school. I watched the little procession as it wound its way amid
the columns, and turned to the left of the choir. Following them, I saw
them enter the choir, by a small side-door, and as they stepped into it,
every little foot fell on a slab of stone, in the centre of which was a
little brass plate, not so large as one’s hand. When all had gone in,
and were kneeling in their meek array, I drew near, and stooped down to
see over whose dust they had been treading. I read a few words, but they
thrilled me like electricity—“Queen Katherine, 1536!” Here, then, lies
that proud daughter of Arragon, whose mournful history has left its mark
upon nations, and upon Christendom! The scene in Shakspeare rose before
me—Pope—Cardinals—Princes—Henry VIII. This stone covers all, and
peasants’ babes trip over it as lightly as if the life that lies
extinguished there, had been as simple as their own!
Public-domain text, read in full here on John Shaqi.
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