Impressions of England; or, Sketches of English Scenery and SocietyCoxe, A. Cleveland (Arthur Cleveland)
History
Impressions of England; or, Sketches of English Scenery and Society
Coxe, A. Cleveland (Arthur Cleveland)
England -- Description and travel
More than once have I betrayed, in the course of my narrative, a strong
affection for the name and memory of Cowper. To his poetry and letters,
I was introduced in early childhood, by the admiring terms in which a
beloved parent often quoted and criticised them; and no subsequent
familiarity with them has, in the least, impaired my relish for their
peculiar charms. I regard him as the regenerator of English poetry, and
as the morning-star of all that truly illustrates the nineteenth
century. A gentle but powerful satirist of the evils of his own times,
he was a noble agent in the hand of God, for removing them, and making
way for a great restoration. Without dreaming of his mission, he was a
prime mover in the great action which has thrown off the lethargy of
Hanoverianism, and awakened the Church of England to world-wide
enterprises of good; and though the injudicious counsels of good John
Newton gave a turn to his piety, which may well be deplored in its
consequences upon himself, it is ground for rejoicing that the
influences of the Church upon his own good taste, were strong enough to
rescue his contributions to literature from the degrading effects of
religious enthusiasm. If any one will take the trouble to compare “the
Task” with such a production as Pollok’s “Course of time,” he will be
struck with the force of my remark, for there the same enthusiasm
exhibits itself as developed by sectarianism. I was surprised to find
how many places in England were fraught with recollections of this
retired and sedentary poet. A distant view of St. Alban’s, the banks of
the Ouse, the churchyard of St. Margaret’s, and the school-room, at
Westminster, the gardens of the Temple, and the little village of St.
Neot’s all recalled him to mind, in his various moods, of suffering and
dejection. Even the ruins of Netley Abbey revived his memory, for there
he seems to have been filled with novel emotions, as an unwonted
tourist, with whom romantic scenes were far from familiar. The opposite
pole of poetic association became electric in Cheapside, where so many
John Gilpins still keep shop, if they do not “ride abroad.” But I
frequently passed, on the railway, a village in Hertfordshire, which is
invested with memories of a more elevated and affecting character. It
was not only the birth-place of the poet, (as well as of Bishop Ken,)
but its church-tower is that from which he heard the bell tolled on the
burial-day of his mother. Its parsonage was the scene of all those
maternal tendernesses, which he has so touchingly celebrated; and who
that has shared the love of a Christian mother, can fail to reverence
the bard, who has so inimitably enshrined, in poetry, the best and
holiest instincts of the human heart, as exhibited in the mutual loves
of the mother and her son? I could not leave England without first
paying a pilgrimage to those scenes of his maturer life, which have
become classic from their frequent mention in his poems.
Public-domain text, read in full here on John Shaqi.
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