Impressions of England; or, Sketches of English Scenery and SocietyCoxe, A. Cleveland (Arthur Cleveland)
History
Impressions of England; or, Sketches of English Scenery and Society
Coxe, A. Cleveland (Arthur Cleveland)
England -- Description and travel
whole hill-country thereabout, in honour of the lady’s charms to whom he
afterwards gave his hand. Such at least was my creed, for the time, when
I enjoyed a delightful walk over the scenes in the company of
intelligent persons whose remarks often heightened not a little the
extraordinary pleasures of the day.
Among the Bishop’s guests, at breakfast, there was the usual planning of
occupations for the morning, and I heard with great satisfaction the
proposal of a walk to Forest-Hill, in which it was supposed I might be
glad to share. Our party was soon made up, consisting of the Archdeacon,
the Rev. Mr. J——, Sir C—— A——, a young Etonian closely related to
the Bishop’s family, and the Bishop’s youngest son. After some
preliminary reconnoiterings about the hamlet of Cuddesdon itself, (of
which the adjoining slopes and meadows furnish very pretty views,) off
we went, well shod and with sturdy staves in hand, and in all respects
well-appointed for an English ramble; which implies everything requisite
for thorough enjoyment of the diversion. We stretched our legs, as
Walton would say, over Shotover-Hill, encountering a variety of rustic
objects in the fields and farms; here a fold of sheep, and there a
hedge, and again a ditch, or a turnip-field, but everything in its turn
was of interest to me as presenting, in some form or other, a contrast
to similar objects in my own country, the advantage being generally in
favor of England, so far as the picturesque is concerned. I can indeed
think of many a walk in America, incomparably more interesting than this
in the character of its scenery; but what I mean is, that the same kind
of country with us, would have been almost devoid of interest. Thus,
instead of presenting field after field, cultivated like a garden,
beautifully hedged and exhibiting every mark of careful husbandry; or a
succession of green pastures, in which fine cattle, and the whitest and
fattest of sheep were disposed in a manner entirely suitable to the
painter; or instead of a succession of views of the most pleasing
variety; here a hamlet and spire, and there a neat cottage, and there a
lordly mansion among trees, and there a snug farmhouse: the same number
of miles with us, over a slightly undulating country, devoted to
pasturage and farming, would scarcely have offered a single scene on
which the eye could rest with satisfaction. At length, we reached
Shotover-Lodge, which has unfortunately been rebuilt within the last
hundred years, but the original of which supplies the ideal of those
famous lines in _L’Allegro_—
“Russet lawns and fallows gray
Where the nibbling flocks do stray;
Towers and battlements it sees
Bosomed high in tufted trees,
Where perhaps some beauty lies,
The cynosure of neighboring eyes.”
Public-domain text, read in full here on John Shaqi.
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