Impressions of England; or, Sketches of English Scenery and SocietyCoxe, A. Cleveland (Arthur Cleveland)
History
Impressions of England; or, Sketches of English Scenery and Society
Coxe, A. Cleveland (Arthur Cleveland)
England -- Description and travel
Next we descended into a daisied meadow, and looked for the plowman and
the milkmaid, as it was yet too early for the tanned haycock, or the
mower whetting his scythe. Here the Archdeacon recalled to my mind a
criticism of Warton’s, which I had quite forgotten, asking me if I
remembered the meaning of the lines—
“And every shepherd _tells his tale_,
Under the hawthorn in the dale,”
in which the idea is not that of narrative, or eclogue, but the more
English one of Thyrsis turning the sheep out of fold for the day, and
counting them, one by one; that is, _telling the tale_, like the tale of
brick exacted by the Egyptians, as we read in Genesis. Many such
comments from my companions gave great inspiration to the ramble, which
brought us at last up the sides of Forest-Hill itself, where we first
encountered some cottages of surprising neatness, inhabited by thrifty
tenants, who farmed a few acres of their own hiring. Here Sir C——,
like a true Protectionist, stopped to ask a few questions of Hodge and
his family about the prospects of “the British farmer,” and the
practical results of Cobdenism; and I fancied, from the interest taken
in the disclosures by my young friend from Eton, that the lads who now
play cricket on the banks of the Thames, under “the antique towers,” are
not unlikely, at some future day, to maintain the rights of the landed
gentry, with the same primary reference to agriculture which so largely
distinguishes Mr. Disraeli. And now we came to the little Church of
Forest-Hill, where, for aught I know, Milton was married to the daughter
of the good old cavalier, but where he could not have been surrounded by
a very great crowd of rejoicing friends upon the happy occasion, as the
sacred place will scarcely contain threescore persons at a time. It has
no tower, but only one of those pretty little gable-cots for the bell,
so familiar of late in our own improving architecture of country
Churches. The altar-window is near the road, and the bell-gable is at
the other extremity, surmounting the slope of the land, on a pretty
terrace of which, embosomed among the trees and shrubs, is situated the
parsonage. The little Church itself is of the early English period, but
has repairs in almost every variety of pointed style, and some in no
style at all. It has had very little aid from the builder, however, for
nearly a century. In the early Caroline period, or a little before the
date of Milton’s marriage, it was probably new-roofed and put into good
order, possibly as the result of injunctions from the King and Council,
with some of whom, “the filthy-lying of Churches” was not reckoned a
proof of growing godliness in the nation. Accordingly I noticed on one
of the tie-beams of the roof, the inscription, C. 1630 R., and again on
the door, C. R. 1635. In the churchyard is a remarkably fine holly tree,
and, what is still more interesting, the grave of Mickle, the translator
of the Lusiad.
Public-domain text, read in full here on John Shaqi.
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