Impressions of England; or, Sketches of English Scenery and SocietyCoxe, A. Cleveland (Arthur Cleveland)
History
Impressions of England; or, Sketches of English Scenery and Society
Coxe, A. Cleveland (Arthur Cleveland)
England -- Description and travel
To Americans in London the Crystal Palace soon became a sore subject. We
were the laughing-stock of nations; and I confess, when I first visited
the vast desert at the American end of the show, in which many of the
articles exhibited were even worse than the lack of others which ought
to have been there, I felt myself disposed, for a minute, to blush for
my country. It would have been the very poverty of patriotism to plead
that a few items of our contribution were of very great merit; and
self-respect would not permit me to multiply apologies, or even
explanations. What was really good spoke for itself. What was bad, or
indifferent, was simply inexcusable. The fact is, our progress in the
arts of civilization was not at all represented; and after observing the
things which attracted attention, from other countries, I felt sorry
that nobody had thought of making similar exhibitions for us. It really
pained me to reflect, that I had seen much more attractive exhibitions
in our provincial towns; and I was quite sure that one day’s work, in
each of our great cities, might have sufficed to collect a far better
show of industrial produce out of the ordinary market. Fortunately, the
yacht “America” came in at the last moment to “pluck up our drowning
honour by the locks;” and if we could but stop bragging about it, that
would be enough, until some future occasion may afford us an opportunity
of showing what American mechanics and manufacturers are able to achieve
in their various departments of skill and ingenuity.
I was pained to observe the feeling engendered by the Exhibition between
England and America, and by the highly-irritated recriminations of
ill-bred representatives of both countries, on the spot. On the other
hand, I was sometimes amused by the ludicrous attempts of some
well-meaning Englishman to be complimentary. He would choke out
something about the “Greek Slave,” and then pass rapidly to speak of his
delight in meeting with a model of Niagara Falls: an execrable thing,
which only served still further to confuse the unusually mudded ideas of
that prodigy of Nature, entertained by the English generally. As it was
simply an immense map of the Niagara, it of course represented the Falls
on such a scale as entirely deprived them of sublimity and beauty: and
so, when the speaker would enlarge upon the magnificence of this feature
of our country, I usually took some satisfaction in confessing that the
better half of the Falls is, after all, on the British side, and that I
was sorry he could find nothing to praise that was entirely ours. The
only instance in which I encountered rudeness upon this subject, was an
absurd one, in a railway carriage, when a Paisley manufacturer, a little
the worse for whiskey, and very rich in his brogue, after some impudent
remarks, which led me to decline conversation, stuck his face into mine,
with the startling announcement—“_ye can’t mak’ shawls in your
country!_”
Public-domain text, read in full here on John Shaqi.
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