Impressions of England; or, Sketches of English Scenery and SocietyCoxe, A. Cleveland (Arthur Cleveland)
History
Impressions of England; or, Sketches of English Scenery and Society
Coxe, A. Cleveland (Arthur Cleveland)
England -- Description and travel
as he patrolled the streets of his capital, in the spirit of Haroun Al
Raschid, somewhat heightened by the spirit of wine.
I was not above looking curiously and thoughtfully at the exhibition of
Popery, displayed in the relics of the Armada. At the Crystal Palace
there was a very bold and enticing parade of the modern instruments of
this Protean enthusiasm, in the shape of candlesticks and monstrances,
thuribles and pyxes, and all sorts of embroideries, spangles, laces, and
millinery. By such things it would convert England now. In Elizabeth’s
day, its missionaries were less attractive. Bilboes, collars,
thumb-screws, and iron cravats; stocks, fetters, and manacles; a sort of
portable Inquisition was, in short, the great reliance of the Pope in
those times, for the reduction of the heretic English: and here, no
doubt, old Fuller would go on to say, that “if forsooth we should feel
closely about the fine things of even modern Poperie, we might,
perchance, find a prickly point, or a sharp edge, or a rough chain, if
not faggots and gun-powder also, stowed away among all their fancy
stuffes and petticoats.” I could not satisfy myself with looking at
these antiquarian treasures however, nor shall I attempt to satisfy my
reader by detailing them. Let him think how he would feel to touch the
very axe that divided the little fair neck of Anne Boleyn, and the
stiffer sinews of the Earl of Essex. Even the block on which old Lovat
laid his worthless head, loaded with crimes as many as his hoary hairs,
gives one a shudder, though no man pitied him when he fell. It is,
moreover, a monument of interest, because there the axe stayed, and has
never since been lifted on the head of a British subject. He died in
1746, in the cause of the young Pretender; and possibly this fact
suggested to me the thought, (by which alone I can convey any just idea
of this Armory,) that the whole exhibition seems to be a complete
property-room of the Waverley novels. If the characters of those
successive tales could have deposited in one room the antiquarian
implements and costumes to which they gave a sort of resurrection, they
would have furnished us with very much such a collection as that of this
Armory of the Tower.
Public-domain text, read in full here on John Shaqi.
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