Authors -- Fiction; Character sketches; England -- Fiction
That the preservation of national memories is an element and a means of
national greatness, that their revival is a sign of reviving
nationality, that every heroic defender, every patriotic restorer, has
been inspired by such memories and has made them his watchword, that
even such a corporate existence as that of a Roman legion or an English
regiment has been made valorous by memorial standards,--these are the
glorious commonplaces of historic teaching at our public schools and
universities, being happily ingrained in Greek and Latin classics. They
have also been impressed on the world by conspicuous modern instances.
That there is a free modern Greece is due--through all infiltration of
other than Greek blood--to the presence of ancient Greece in the
consciousness of European men; and every speaker would feel his point
safe if he were to praise Byron's devotion to a cause made glorious by
ideal identification with the past; hardly so, if he were to insist that
the Greeks were not to be helped further because their history shows
that they were anciently unsurpassed in treachery and lying, and that
many modern Greeks are highly disreputable characters, while others are
disposed to grasp too large a share of our commerce. The same with
Italy: the pathos of his country's lot pierced the youthful soul of
Mazzini, because, like Dante's, his blood was fraught with the kinship
of Italian greatness, his imagination filled with a majestic past that
wrought itself into a majestic future. Half a century ago, what was
Italy? An idling-place of dilettanteism or of itinerant motiveless
wealth, a territory parcelled out for papal sustenance, dynastic
convenience, and the profit of an alien Government. What were the
Italians? No people, no voice in European counsels, no massive power in
European affairs: a race thought of in English and French society as
chiefly adapted to the operatic stage, or to serve as models for
painters; disposed to smile gratefully at the reception of halfpence;
and by the more historical remembered to be rather polite than truthful,
in all probability a combination of Machiavelli, Rubini, and Masaniello.
Thanks chiefly to the divine gift of a memory which inspires the moments
with a past, a present, and a future, and gives the sense of corporate
existence that raises man above the otherwise more respectable and
innocent brute, all that, or most of it, is changed.
Public-domain text, read in full here on John Shaqi.
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