Authors -- Fiction; Character sketches; England -- Fiction
of the 'Comparative Estimate' heard the echoes repeating "Young
Ganymede" when an illiterate beholder at a railway station would have
given him forty years at least. Besides, important elders, sachems of
the clubs and public meetings, had a genuine opinion of him as young
enough to be checked for speech on subjects which they had spoken
mistakenly about when he was in his cradle; and then, the midway parting
of his crisp hair, not common among English committee-men, formed a
presumption against the ripeness of his judgment which nothing but a
speedy baldness could have removed.
It is but fair to mention all these outward confirmations of Ganymede's
illusion, which shows no signs of leaving him. It is true that he no
longer hears expressions of surprise at his youthfulness, on a first
introduction to an admiring reader; but this sort of external evidence
has become an unnecessary crutch to his habitual inward persuasion. His
manners, his costume, his suppositions of the impression he makes on
others, have all their former correspondence with the dramatic part of
the young genius. As to the incongruity of his contour and other little
accidents of physique, he is probably no more aware that they will
affect others as incongruities than Armida is conscious how much her
rouge provokes our notice of her wrinkles, and causes us to mention
sarcastically that motherly age which we should otherwise regard with
affectionate reverence.
But let us be just enough to admit that there may be old-young coxcombs
as well as old-young coquettes.
XIII.
HOW WE COME TO GIVE OURSELVES FALSE TESTIMONIALS, AND BELIEVE IN THEM.
Public-domain text, read in full here on John Shaqi.
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