In a Canadian Canoe; The Nine Muses Minus One, and Other StoriesPain, Barry
General
In a Canadian Canoe; The Nine Muses Minus One, and Other Stories
Pain, Barry
English wit and humor
So this man went on providing amusement for gods and men until he was
twenty-five years of age. Sometimes he, unfortunately, was quite unable
to laugh at himself. Then he wrote verses. At other times he laughed at
himself very well--often in self-defence, because it made other men let
him off easier--and then he would tear his verses up.
On that last day he lay in bed in the morning and shivered. He had
slept for a little while--he had seen to that before he went to
bed--but he was wide awake now, and his head was burning, and his
thoughts were of the kind that tighten the muscles of the body and are
likely nowadays to lead on to padded rooms. For the day before he had
been found out; one act of fatal cowardice on his part--such cowardice
as no one could forgive--had cost a girl her life, and this girl was
the sister of his own familiar friend. There was plenty of variety
about his thoughts. Sometimes he felt like a murderer. Sometimes
he heard the dead girl’s brother speaking awful things to him,
contemptuous, heart-broken words. There was no hope of concealment,
no pretty story that he could tell. It had all been seen and known.
In his dreams that night he had been through the whole scene again,
but his own part had been altered. In his dream he had been equal to
the occasion--taken the plunge, rescued the girl, and been welcomed
with praise and honour, and he had walked back through the streets of
Athens feeling more happy than a god. Suddenly he awoke and recalled
the facts. The girl whom he had loved was dead--dead through his own
cowardice. It was such loathly cowardice that he shuddered to think of
it. All men would hate him, and yet their hatred would be nothing to
his own hatred for himself. Every thought was a torture, a knife that
went into his heart and brain, fiercely and with regular beat, stabbing
and stabbing.
He sprang from his bed, and dressed himself hurriedly. The house seemed
to him to be strangely quiet. He called--in a parched, husky voice--and
no one answered. All had left him: the very slaves had run away from
such a master, and he was alone. No one, he thought, would come near
him now. He had served as a laughing-stock for his friends: he was now
too despicable to be laughed at. If you wish the villain of your drama
to be hissed as villain was never hissed before, make him during the
first two acts the low comedian of the piece.
The man was trembling and shuddering. He made a small fire, and
crouched down by it. Ah, if he only had it to do again! A million
deaths were better than such torture as this. An impulse--irresistible
almost--came over him to shriek aloud and to tear with his hands at
something. Could he be going mad? The thought horrified him. He fetched
wine, and drank it, and tried to calm himself, crouching down by the
fire again. Suddenly he heard footsteps, and presently one of his old
companions--and the worst man in Athens--stood before him.
“You cur!” said his old companion.
Public-domain text, read in full here on John Shaqi.
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