They collided oftenest with Arthur and his Emma, for the lucky youth who
held that drifting nymph seemed most unhappy in his pride. The girl was
talking amiably, but the man was grim and furtive and as careless of his
steering as a tipsy chauffeur.
Orson forgot himself enough to comment to Tudie, "Your brother doesn't
seem to be enjoying himself."
"Poor boy, he's heartbroken."
"Why?"
"He's so disappointed with Em."
"I can't see anything wrong with her."
"Evidently not; but have you heard her?"
In a sudden access of rage Orson stopped short in the middle of the
swirl, and, ignoring the battery of other dancers, demanded, "In
Heaven's name, what's the matter with the girl?"
"Nothing, I should judge from the look on your face after your close
inspection."
"Oh, for pity's sake, don't begin on me; but tell me--"
"Talk to her and find out," said Tudie, with a twang that resounded as
the music came to a stop. "Oh, Em--Miss Terriberry, this is Mr. Carver;
he's dying to meet you."
She whirled around so quickly that he almost fell into the girl's arms.
She received him with a smile of self-possession: "Chahmed, Mr. Cahveh."
Orson's Eastern ears, expecting some horror of speech, felt delight
instead. She did not say "charrmed" like an alarm-clock breaking out.
She did not trundle his name up like a wheelbarrow. She softened the "a"
and ignored the "r."
Tudie rolled the "r" on his ear-drums as with drum-sticks, and by
contrast the sound came to him as: "Misterr Carrverr comes from
Harrvarrd. He calls it Havvad."
"Oh," said Em, with further illumination, "I woah the Hahvahd colohs the
lahst time I went to a game."
Orson wanted to say something about her lips being the perfect Havvad
crimson, but he did not quite dare--yet. And being of New England, he
would always be parsimonious with flatteries.
Tudie hooked her brother's arm and said with an angelic spitefulness,
"We'll leave you two together," and swished away.
Orson immediately asked for the next dance and Em granted it. While they
were waiting for the rheumatic piano to resume they promenaded. Orson
noted that everybody they passed regarded them with a sly and cynical
amusement. It froze all the language on his lips, and the girl was still
breathing so fast from the dance that she apologized. Orson wanted to
tell her how glorious she looked with her cheeks kindled, her lips
parted, and her young bosom panting. But he suppressed the feverish
impulse. And he wondered more and more what ridiculous quality the
Carthaginians could have found in her who had returned in such splendor.
The piano exploded now with a brazen impudence of clamor. Orson opened
his arms to her, but she shook her head: "Oh, I cahn't dahnce again just
yet. You'd bettah find anothah pahtnah."
Public-domain text, read in full here on John Shaqi.
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