The public knew only the wicked Stephen Coburn. His crime had been his
entrance into fame. All the bad things he had done, all the bad people
he had known, all the bad places he had gone, were searched out and
published by the detectives and the reporters. To blacken Stephen
Coburn's repute so horribly that the jurors would feel it their
inescapable duty to scavenge him from the offended earth, that was the
effort of the prosecution. To prevent that blackening was one of the
most vital and one of the most costly features of the defense. To deny
the murder and tear down the web of circumstantial evidence as fast as
the State could weave it was another.
The Coburn case had become a notorious example of that peculiarly
American institution, the serial trial. The first instalment had ended
in a verdict of guilty. It had been old Coburn's task to hold up his
wife and his son in the collapse of their mad despair, while he managed
and financed the long, slow struggle with the upper courts till he wrung
from them an order for a new trial. This had ended, after weeks of
torment in the court-room and forty-eight hours of almost unbearable
suspense, in a disagreement of the jury. The third trial found the
prosecution more determined than ever, and acquainted with all the
methods of the defense. The only flaw was the loss of an important
witness, "the man across the hall," whom impatient time had carried off
to the place where subpoenas are not respected. His deposition and his
testimony at the previous trials were as lacking in vitality as himself.
And now once more old Coburn must carry everything upon his back, aching
like a world-weary Atlas who dares not shift his burden. But now he was
three years weaker, and he had no more money to squander. His house, his
acres, the cattle upon his hills, his blooded thoroughbreds, his
patriarchal stallions, his town lots, his bank-building, his bonds and
stocks, all were sold, pawned as collateral, or blanketed with
mortgages.
As he had comforted his wife when they had witnessed the bolt from the
blue, so now he sat facing her in her third ordeal. Only now she was not
on the home porch, but in the arena. He could not hold her hands. Now
she dared not close her eyes and cry; it was not the work of one
thunderbolt she had to see. Now, under the darting questions of the
court-examiner, she was like a frightened girl lost in the woods and
groping through a tempest, with lightning thrusts pursuing her on every
side, stitching the woods with fire like the needle in a sewing-machine
stabbing and stabbing at the dodging shuttle.
Public-domain text, read in full here on John Shaqi.
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