Yet the man who, in my red and green room that night, leaped up from his
chair, and with a bursting, ringing cry shook his hand on high, was not
the James Herbert Jeffries who now writes this feverish shorthand. He
who writes the shorthand was not the same James Herbert Jeffries who
stood, with those violent dyes flooding his face, vowing that if that
sick young buyer of infected merchandise dreamed for one instant of
doing that which it was sought to make him do, and which apparently he
was ready to do, he should pay for it with the last thing he had to
give. That James Herbert Jeffries was plunged in that hour into a place
of stench and infernal brightness that God forbid was ever his destined
abode.
I cried aloud, shaking my fist up at my cracked and blackened ceiling:
"_Though Christ died for man in vain ... let him but think of it ... let
him ... let him ... and I...._"
After that I passed into a curious state of mind. You have heard how I
make, when I can, anger serviceable to me, but here was an anger past my
bringing into control. Yet, as ordinarily I plan calmly, so was I calm
up to a certain point now. The result of these two things was that my
brain worked like a worn and cranky machine, sometimes doing more than
it ought, sometimes less; sometimes jerking startlingly ahead, sometimes
refusing to work at all. And as there was thus no continuity in my
thought, and as my recollections are curiously associated with that
changing red and green that now for the first time seems to me to have
run through my story like a fateful burden of jealousy and blood, I will
set down such isolated reflections as rise of themselves out of the
jumble of my mind.
* * * * *
_Crime_ (I realise that the word leaps with some suddenness into these
pages) has suffered more at the hands of criminals than it has at the
hands of justice. There are few perfect crimes. Most of them are
accidental, the mere explosion of momentary passion. And that is well,
for the world wants few masterpieces in that sort. I have not read De
Quincey's essay on the subject, nor ever shall now; but if crime is to
be considered as an artistic medium, it is the only medium in which
bungling is better worth to the world than competence. Other arts one
prefers to see superlatively practised or not at all; but it is only of
the bungled crime that man can endure to think.
* * * * *
The ordinary criminal begins at the wrong end. Dull fellow that he is he
does not recognise that his first task must be the creation of an
attitude of mind. Or if a glimmering of this does cross his inflamed
consciousness, he thinks that it is the attitude of his own mind that is
of the first consequence. That is why he suffers either the retribution
of justice or the visitings of his own conscience. In either of these
cases his act is unsuccessfully committed. He pays in common with his
victim.
* * * * *
Public-domain text, read in full here on John Shaqi.
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