In and About Drury Lane, and Other Papers Vol. 1 (of 2): Reprinted from the pages of the 'Temple Bar' MagazineDoran, Dr. (John)
General
In and About Drury Lane, and Other Papers Vol. 1 (of 2): Reprinted from the pages of the 'Temple Bar' Magazine
Doran, Dr. (John)
London (England) -- Social life and customs -- 19th century; Theater -- England -- London -- Anecdotes
That line had its Lady Jane Grey, its queen for an hour; one who was
loved and admired during that time, and whose hard fate was deplored
for full as long a period. About the year 1819-20 there appeared at
the Odéon a Mdlle. Charton. She made her _début_ in a new piece,
‘Lancastre,’ in which she acted Queen Elizabeth. Her youth and beauty,
combined with extraordinary talent, took the public mind prisoner.
Here was a young goddess who would shower delight when the maturer
divinities had gone back to Olympus. The lithographed portrait of
Mdlle. Charton was in all the shops and was eagerly bought. Suddenly
she ceased to act. A jealous lover had flung into that beautiful
and happy face a cup of vitriol, and destroyed beauty, happiness,
and partially the eyesight, for ever. The young actress refused to
prosecute the ruffian, and sat at home suffering and helpless, till she
became ‘absorbed in the population’--that is to say, starved, or very
nearly so. She had one poor female friend who helped just to keep her
alive. In this way the once proud young beauty literally went down life
into old age and increase of anguish. She dragged through the horrible
time of the horrible Commune, and then she died. Her body was carried
to the common pauper grave at Montmartre, and one poor actor who had
occasionally given her what help he could, a M. Dupuis, followed her to
that bourn.
Queens as they were, their advent to such royalty was impeded by every
obstacle that could be thrown in their way. The ‘Society’ of French
actors has been long noted for its cruel illiberality and its mean
jealousy, especially the ‘Society’ that has been established since the
Revolution--or, to speak correctly, during the Revolution which began
in 1789, and which is now in the eighty-fourth year of its progress.
The poor and modest Duchesnois had immense difficulty in being allowed
to appear at all. The other actors would not even speak to her. When
she was ‘called’ by an enthusiastic audience no actor had the gallantry
to offer a hand to lead her forward. A poor player, named Florence, at
length did so, but on later occasions he was compelled to leave her
to ‘go on’ alone. When Mdlle. Rachel, ill-clad and haggard, besought
a well-known _sociétaire_ to aid her in obtaining permission to make
her _début_ on the stage of the Théâtre Français, he told her to get
a basket and go and sell flowers. On the night of her triumph, when
she _did_ appear, and heaps of bouquets were flung at her feet, on her
coming forward after the fall of the curtain, she flung them all into a
basket, slung it from her shoulders, went to the actor who had advised
her to go and vend flowers, and kneeling to him, asked him, half in
smiles and half in tears, if he would not buy a nosegay! It is said
that Mdlle. Mars was jealous of the promise of her sister, Georgina.
Young _débutantes_ are apt to think that the aged queens should abandon
the parts of young princesses, and when the young _débutantes_ have
Public-domain text, read in full here on John Shaqi.
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