In and About Drury Lane, and Other Papers Vol. 1 (of 2): Reprinted from the pages of the 'Temple Bar' MagazineDoran, Dr. (John)
General
In and About Drury Lane, and Other Papers Vol. 1 (of 2): Reprinted from the pages of the 'Temple Bar' Magazine
Doran, Dr. (John)
London (England) -- Social life and customs -- 19th century; Theater -- England -- London -- Anecdotes
(it is believed) was liberally exhibited under magisterial license and
the supervision of a severely moral police.
Leicester Square has been remarkable for its exhibitions. Richardson,
the fire-eater, exhibited privately at Leicester House in 1672. A
century later there was a public exhibition on that spot of quite
another quality. The proprietor was Sir Ashton Lever, a Lancashire
gentleman, educated at Oxford. As a country squire he formed and
possessed the most extensive and beautiful aviary in the kingdom.
Therewith, Sir Ashton collected animals and curiosities from
all quarters of the world. This was the nucleus of the ‘museum’
subsequently brought to Leicester Fields. Among the curiosities was a
striking likeness of George III. ‘cut in cannel coal;’ also Indian-ink
drawings and portraits; baskets of flowers cut in paper, and wonderful
for their accuracy; costumes of all ages and nations, and a collection
of warlike weapons which disgusted a timid beholder, who describes them
in the ‘Gentleman’s Magazine’ (May 1773) as ‘desperate, diabolical
instruments of destruction, invented, no doubt, by the devil himself.’
Soon after this, this wonderful collection was exhibited in Leicester
House. There was a burst of wonder, as Pennant calls it, for a little
while after the opening; but the ill-cultivated world soon grew
indifferent to being instructed; and Sir Ashton got permission, with
some difficulty, from Parliament, to dispose of the whole collection by
lottery. Sir William Hamilton, Baron Dimsdale, and Mr. Pennant stated
to the Committee of the House of Commons that they had never seen a
collection of such inestimable value. ‘Sir Ashton Lever’s lottery
tickets,’ says an advertisement of January 28, 1785, ‘are now on sale
at Leicester House every day (Sundays excepted), from Nine in the
morning till Six in the evening, at One Guinea each; and as each ticket
will admit four persons, either together or separately, to view the
Museum, no one will hereafter be admitted but by the Lottery Tickets,
excepting those who have already annual admission.’ It is added that
the whole was to be disposed of owing ‘to the very large sum expended
in making it, and not from the deficiency of the daily receipts (as is
generally imagined), which have annually increased; the average amount
for the last three years being 1833_l._ per annum.’ It sounds odd that
a ‘concern’ is got rid of because it was yearly growing more profitable!
Public-domain text, read in full here on John Shaqi.
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