In and About Drury Lane, and Other Papers Vol. 1 (of 2): Reprinted from the pages of the 'Temple Bar' MagazineDoran, Dr. (John)
General
In and About Drury Lane, and Other Papers Vol. 1 (of 2): Reprinted from the pages of the 'Temple Bar' Magazine
Doran, Dr. (John)
London (England) -- Social life and customs -- 19th century; Theater -- England -- London -- Anecdotes
In 1788, a middle-aged Irishman from county Meath, named Robert
Barker, got admission to Reynolds, to show him a half-circle view
from the Calton Hill, near Edinburgh, which Barker had painted in
water-colours on the spot. The poor but accomplished artist had been
unsuccessful as a portrait-painter in Dublin and Edinburgh. But he
had studied perspective closely, an idea had struck him, and he came
with it to Reynolds. The latter admired, but thought it impracticable.
The Irishman thought otherwise. Barker exhibited circular views
from nature, in London and also in the provinces, with indifferent
success. At last, in 1793, on part of the old site of Leicester House,
a building arose which was called the Panorama, and in which was
exhibited a view of the Russian fleet at Spithead. The spectator was
on board a ship in the midst of the scene and the view was all around
him. King George and Queen Charlotte led the fashionable world to
this most original exhibition. For many years there was a succession
of magnificent views of foreign capitals, tracts of country, ancient
cities, polar regions, battles, &c., exhibited; and ‘Have you been to
the new panorama?’ was as naturally a spring question as ‘Have you been
to the Academy?’ or the Opera? The exhibition of the ‘Stern Realities
of Waterloo’ alone realised a little fortune, and ‘Pandemonium,’
painted by Mr. Henry Selous, was one of the latest of the great
successes.
At the north-east corner of Leicester Square, the Barkers, father and
son, achieved what is called ‘a handsome competency.’ At the death of
the latter, Robert Burford succeeded him, and, for a time, did well;
but ‘Fashion’ wanted a new sensation. The panoramas in Leicester Square
and the Strand, admirable as they were, ceased to draw the public;
and courteous, lady-like, little Miss Burford, the proprietress, was
compelled to withdraw, utterly shipwrecked. She used to receive her
visitors like a true lady welcoming thorough ladies and gentlemen. The
end was sad indeed, for the last heard of this aged gentlewoman was
that she was enduring life by needle-work, rarely got and scantily
paid, in a lodging, the modest rent of which, duly paid, kept her short
of necessary food. An attempt was made to obtain her election to the
‘United Kingdom Beneficent Association,’ but with what result we are
unable to record.
Shadows of old Leicester Square figures come up in crowds, demanding
recognition. They must be allowed to pass--to make a ‘march past,’ as
it were; as they glide by we take note of Mirabeau and Marat, Holcroft,
Opie, Edmund Kean, and Mulready, with countless others, to indite the
roll of whose names only would alone require a volume.
_A HUNDRED YEARS AGO._
Public-domain text, read in full here on John Shaqi.
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