In and About Drury Lane, and Other Papers Vol. 1 (of 2): Reprinted from the pages of the 'Temple Bar' MagazineDoran, Dr. (John)
General
In and About Drury Lane, and Other Papers Vol. 1 (of 2): Reprinted from the pages of the 'Temple Bar' Magazine
Doran, Dr. (John)
London (England) -- Social life and customs -- 19th century; Theater -- England -- London -- Anecdotes
The presence of Queen Elizabeth at plays in London, and the acting of
them in the mansions which she honoured by a visit, are proofs of the
dignity of the profession. We have her, in the year last named, at one
of the most popular of London theatres, with a bevy of fair listening
maids of honour about her. This was in her old age. ‘I have just come,’
writes Chamberlain to Charlton, ‘from the Blackfriars, where I saw her
at the play with all her _candida auditrices_.’ At Christmas time,
Carlile writes to Chamberlain, ‘There has been such a small court this
Christmas, that the guard were not troubled to keep doors at the plays
and pastimes.’
And if the name of Elizabeth should have a sweet savour to actors
generally, not less delicious to dramatic memories should be the mayor
of Abingdon, in that queen’s time, who invited so many companies of
players to give a taste of their quality in that town for fee and
reward. If any actor to whom the history of the stage be of interest
should turn up at Abingdon, let him get the name of this play-loving
mayor, and hang it over the fire-place of the best room of the Garrick,
or rather of the club that _will_ be--the social, cosey, comfortable,
professional, not palatial nor swellish, but homelike house, that the
Garrick was in its humbler and happier days.
Now the companies the Mayor had down to Abingdon included the
Queen’s players, the Earl of Leicester’s players, the players of
the Earl of Worcester, of Lord Sussex, of the Earl of Bath, of Lord
Berkely, of Lord Shrewsbury, of Lord Derby, and of Lord Oxford. Is
there no one who can get at the names of these actors, and of the
pieces they played--played for rewards varying from twenty pence to
twenty shillings? Will that thoroughly English actor, one of the few
accomplished comedians of the well-trained times now left to us, be the
more successfully urged to the task, if we remind him that, in 1573,
his professional namesake, Mr. Compton, took his players to Abingdon,
and earned four shillings by the exercise of their talents?
The Elizabethan time was a very lively one. It had its theatrical
cheats and its popular riots. We learn from State records that on the
anniversary of the Queen’s accession, November, 1602, ‘One Verner, of
Lincoln’s Inn, gave out bills of a play on Bankside, to be acted by
persons of account; price of entry, 2_s._ 6_d._ or 1_s._ 6_d._ Having
got most of the money he fled, but was taken and brought before the
Lord Chief Justice, who made a jest of it, and bound him over in 5_l._
to appear at the sessions. The people, seeing themselves deluded,
revenged themselves on the hangings, chairs, walls, &c., and made a
great spoil. There was much good company, and many noblemen.’
Public-domain text, read in full here on John Shaqi.
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