who are drawn by them. But here is Mr. Planché waiting. Well! he seems to have been backward in speaking; though he says, as a proof to the contrary, that he spoke Rolla’s speech to his soldiers shortly after he had found his own. ‘Pizarro,’ we will observe, was not produced till 1799, and was not printed _then_. But, on the other hand, Mr. Planché, like Pope, seems to have lisped in numbers, for at ten he wrote odes, sonnets, and particularly an address to the Spanish patriots, which he describes as ‘really terrible to listen to.’ When he passed into his teens, the serious question of life turned up. He could not be made to be a watchmaker, the calling of his good father, a French refugee. Barrister, artist, geometrician, cricketer, were vocations which were considered and set aside. His tutor in geometry died before the pupil could discover the quadrature of the circle; and the other callings not seeming to give him a chance, Mr. Planché bethought himself that, as he was fond of writing, he was especially qualified to become a bookseller. It was while he was learning this _métier_ that his dramatic propensities were further developed. They had begun early; he had been ‘bribed to take some nasty stuff when an urchin, on one occasion, by the present of a complete harlequin’s suit, mask, wand, and all, and on another by that of a miniature theatre and strong company of pasteboard actors,’ in whose control he enjoyed what Charles Dickens longed to possess--a theatre given up to him, with absolute despotic sway, to do what he liked with, house, actors and pieces, monarch of all he surveyed. Mr. Kent has published this ‘longing’ in his ‘Charles Dickens as a Reader,’ and added one shadow on Dickens’s character to the many which Mr. Forster has made public, and which thoughtful biographers ought to have suppressed. We allude particularly to where Dickens describes his mother as advertising to receive young ladies as pupils in a boarding school, without having the means to make preparations for their reception; also his showing-up of his own father as Micawber; and above all, his recording that he never had forgiven and never would forgive his mother for wishing him to go back to his humble work at the blacking-maker’s instead of to school. The light which thoughtless worshippers place before their favourite saint often blackens him at least as much as it does him honour.