It is said that Clairon was one of those actresses who kept themselves throughout the day in the humour of the character they were to act at night. It is obvious that this might be embarrassing to her servants and unpleasant to her friends, family, and visitors. A Lady Macbeth vein all day long in a house would be too much of a good thing; but Mdlle. Clairon defended the practice, as others did: ‘How,’ she would say, ‘could I be exalted, refined, imperial at night, if through the day I had been subdued to grovelling matters, every-day commonness, and polite servility?’ There was something in it; and in truth the superb Clairon, in ordinary life, was just as if she had to act every night the most sublimely imperious characters. With authors she was especially arbitrary, and to fling a manuscript part in the face of the writer, or to box his ears with it, was thought nothing of. Even worse than that was ‘only pretty Fanny’s way.’ The cause of Mdlle. Clairon’s retirement from the stage was a singular one. An actor named Dubois had been expelled from membership with the company of the Théâtre Français, on the ground that his conduct had brought dishonour on the profession. An order from the King commanded the restoration of Dubois, till the question could be decided. For April 15, 1765, the ‘Siege of Calais’ was accordingly announced, with Dubois in his original character. On that evening, Lekain, Molé, and Brizard, advertised to play, did not come down to the theatre at all. Mdlle. Clairon arrived, but immediately went home. There was an awful tumult in the house, and a general demand that the deserters should be clapped into prison. The theatre was closed: Lekain, Molé, and Brizard suffered twenty-four days’ imprisonment, and Mdlle. Clairon was shut up in Fort L’Évêque. At the re-opening of the theatre Bellecourt offered a very humble apology in the names of all the company; but Mdlle. Clairon refused to be included, and she withdrew altogether from the profession. On a subsequent evening, when she was receiving friends at her own house, the question of the propriety of her withdrawal was rather vivaciously discussed, as it was by the public generally. Some officers were particularly urgent that she should return, and play in the especially popular piece the ‘Siege of Calais.’ ‘I fancy, gentlemen,’ she replied, ‘that if an attempt was made to compel you to serve with a fellow-officer who had disgraced the profession by an act of the utmost baseness, you would rather withdraw than do so?’ ‘No doubt we should,’ replied one of the officers, ‘but we should not withdraw on a day of _siege_.’ Clairon laughed, but she did not yield. She retired in 1765, at the age of forty-two.