A third experimentalist and chatterer is transported with the ‘twang of his own trills.’ Collectively they are men who are satisfied, As men are wont, o’ th’ bias’d side. The society set up a telescope to make discoveries in the moon. They detect armies fighting, and an elephant moving among them. Delighted with what they had discovered, they drew up a narrative, to be published in the ‘Transactions.’ By the time this had been done, idle explorers have made out that the armies are gnats and flies on the lens, and that the elephant is a mouse that had got imprisoned in the tube. The philosophers are disconcerted, and the satirical poet rides over them roughshod, with a moral which is intended to make them as comfortable as a toad under a harrow. Butler flew at them again, in prose, in ‘An Occasional Reflection upon Dr. Charlton’s feeling a Dog’s Pulse at Gresham College.’ This is exquisite fooling. The paper is supposed to be written by Robert Boyle, Esq., and never was imitation so hard to be distinguished from an original. It is far superior in this respect to the prose imitations, in ‘Rejected Addresses,’ of the styles of Dr. Johnson and of Cobbett. We will not conclude this reference to the Wood-street Club, which has grown to such dignity and usefulness as the present Royal Society, without recording that, a little more than a hundred years ago, a Latin paper, on ‘Volcanoes,’ was read before it by a German, one Raspe. Whether it faithfully narrated Raspe’s experiences, who can tell?--for Raspe subsequently wrote that amusingly serious lie called ‘Baron Munchausen.’ In the early part of the last century, a body of ladies constituted themselves as ‘The Shakespeare Club.’ They met in rooms in Covent Garden, and their object was to raise funds to supply the managers of the two theatres, to enable them to act with appropriate splendour the plays of the national poet strictly according to his text; in other words, the end was to annihilate the adapters of the bard. How even the ladies themselves were divided in opinion and into clubs, is seen in the closing words to Fielding’s ‘Historical Register for 1736.’ The piece closes with a deprecatory appeal to the fair sex present, to whom an actor says: ‘And you ladies, whether you be Shakespeare’s ladies, or Beaumont and Fletcher’s ladies, I hope you will make allowance for a rehearsal.’