In and About Drury Lane, and Other Papers, Vol. 2 (of 2): Reprinted from the pages of the 'Temple Bar' MagazineDoran, Dr. (John)
History
In and About Drury Lane, and Other Papers, Vol. 2 (of 2): Reprinted from the pages of the 'Temple Bar' Magazine
Doran, Dr. (John)
London (England) -- Social life and customs -- 19th century; Theater -- England -- London -- Anecdotes
It is a singular circumstance that, after Hyde Park--the park which
had been opened to the people by King Charles--had been sold and
divided under Cromwell, ‘James’s Park’ was preserved. The latter was
open only to members of Cromwell’s court and to a few other privileged
persons who lived in Petty France, on the south-east side of the
park. Milton was one of these. Later on a wider permission was given.
Commonwealth ladies ruffled it there, and Cromwell himself paced it
in serious converse with serious men. His wife kept her cows there,
and talked of them with mild congenial spirits. With Charles II. came
courtiers, swains, nymphs, lovers. Some took the Mall, and practised
gallantry openly; others--_chacun avec sa chacune_--resorted to the
welcome shades round Rosamond’s Pond, in the south-west corner of the
park. Under the elms in what is now Pall Mall, or under the limes
which skirted the Mall in the park, all that was gay, and light, and
frivolous, frisked and frolicked; but thoughtful men threaded their
way among them too, and shook their heads at much which some people
would have shut their eyes at. Charles, standing under the park wall
to exchange light talk with Nell Gwynne, who looked down and laughed
upon him from her garden on the other side, was a sight which made
Evelyn groan aloud. It was a type of the general naughtiness which
prevailed. Half the graceless fops and hussies of the comedy of the
period play out their impudent drama in St. James’s Park. In the
comedies of that time the manners of people of quality are reflected.
As has been remarked, how they dressed, talked, and thought; what they
did, and how they did it; what they hoped for, and how they pursued
it: all may be learnt from contemporary comedy. We fully agree with
the judgment which says of the personages, that the fine gentlemen are
such unmitigated rascals, and the women, girls, and matrons are such
unlovely hussies--in rascality and unseemliness quite a match for the
men--that one escapes from their wretched society, and a knowledge
of their one object, and the confidences of the abominable creatures
engaged therein, with a feeling of strong want of purification and of
that ounce of civet by which the imagination may be sweetened.
With all this there was a leaven of what was respectable or harmless.
Charles himself may not seem heroic, but he is at least harmless as we
see him, playing with his dogs, feeding his various birds, large and
small, in Birdcage Walk, or walking to Whitehall, looking fresh from
the dip we are told he had just taken in the canal. Occasionally a
thief who admired the king’s breed of puppies would steal a favourite
as it trotted at the very heels of majesty. ‘Will they never leave
robbing his Majesty?’ is the query at the close of an advertisement,
the opening of which implies how often the king was despoiled: ‘We must
call upon you again for a black dog,’ &c.
Public-domain text, read in full here on John Shaqi.
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