For one of Hitchin's strange temperament and habits of thought, his own
apartment could not have been situated more happily, if an affair of
this kind were to involve Anthony Fry.
Room for room, the home of the prosperous crime-student was directly
below that of Anthony; they used the same dumbwaiter, and they were
served by the same service elevator, so that if Hitchin had so elected
he could even have inspected the meals that went to Anthony's table.
Still more, they were in the old wing of the Lasande, where the rooms
are larger, but where the floors--laid long before the days of
sound-proof concrete filling--permit the unduly inquisitive to hear much
of what goes on above and below.
According to his own reasoning, Hitchin had struck upon the
investigation of his whole lifetime. Surely as he wore spectacles,
murder had been done in the flat of the impeccable Anthony Fry.
What the motive could possibly be, Hobart Hitchin could only guess, as
he had already guessed; but it was a fact that he had been suspicious
ever since Anthony's appearance last night with the slim boy of the
heavy storm coat and the down-pulled cap. These, failing to harmonize
with anything that went in and out of the Lasande ordinarily, had
twanged every responsive string in Hitchin's consciousness, and not by
any manner of means had the strings ceased twanging after his unusual
interview with Anthony.
Hence, having returned to his own flat, he waited tense and expectant.
With straining ears he heard the coming of Beatrice Boller and the
subsequent excitement, and to him her peculiar cries signified another
friend of David Prentiss's who had come suddenly upon the grisly thing
that had once been the young boy.
And now those processes of deductive reasoning which are used so
successfully in fiction and so infrequently in real life, informed
Hobart Hitchin that the crime's next step was almost at hand. Accustomed
to murder or otherwise, an intelligent man like Anthony Fry would risk
no more of these disturbances; whatever his original plans, he would
seek very shortly to get the body out of the Lasande--hardly in grips,
Hitchin fancied, probably not in a packing case, rather in that reliable
actor in so many sensational murders, a trunk.
Here, on the floor above him, some one moved and bumped what was
unquestionably a hollow, empty trunk!
As the veteran fireman responds to the gong, so did the brain of Hobart
Hitchin respond to that bump! Fifteen seconds and he had visualized the
whole of the next step; the trunk to the freight elevator, thence to the
street, thence to the waiting motor express wagon, thence--
Again, after a time, came the bump, indicating that the trunk was in the
living-room now--and then, absolutely true to the hypothesis, Anthony's
door opened and the bumps went to the hall, while the freight elevator
came up the shaft!
Public-domain text, read in full here on John Shaqi.
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