In Barbary : $b Tunisia, Algeria, Morocco and the SaharaPowell, E. Alexander (Edward Alexander)
History
In Barbary : $b Tunisia, Algeria, Morocco and the Sahara
Powell, E. Alexander (Edward Alexander)
Africa, North -- Description and travel
To visit the mosques of Kairouan an order is required from the
_controleur civil_—a mere formality. That, together with a pair of red
slippers large enough to pull over one’s shoes, and a handful of small
coins with which to reward the numerous attachés of the ecclesiastical
buildings and to bestow on the holy men and mendicants who crouch at
their entrances, and we are all set for a tour of the sacred city.
On arriving in Rome for the first time, one’s footsteps turn
instinctively in the direction of St. Peter’s; the visitor to Kairouan
makes directly for the Great Mosque, the Djamaa Sidi Okba. As befits the
premier sanctuary of Africa, it is of enormous size, covering an area of
three acres. Next to nothing of the original structure remains, however,
for it has been rebuilt four times, that which we now see dating from
the early part of the ninth century. Just as the Campanile at Venice
overshadows and dwarfs those two most beautiful buildings, St. Mark’s
and the Doge’s Palace, so the tremendous height and bulk of the square
minaret of the Great Mosque reduces the lovely cloistered building at
its feet to comparative insignificance. As is the case with most of
the famous sanctuaries of Islam, the mosque is built about an enormous
court, surrounded by a very imposing double colonnade, paved with marble,
and provided with fountains in which, as prescribed by the Koran, the
pious must bathe their faces, hands, and feet before entering the place
of worship. Rising from the center of the court is an ancient stone
sun-dial. As the hour of prayer approaches a venerable employee of the
mosque intently watches the creeping shadow, and from the summit of the
lofty tower another attendant watches him. When the edge of the shadow
touches the proper meridian, the man by the sun-dial abruptly raises his
arm, like a semaphore, whereupon a large white flag is broken out from
the gallows-like staff on the tower, and the musical drone of the muezzin
floats out across the city summoning the faithful to prayer: “_Ash hadu
illa ill Allah, wa ash hadu inna Mohammed an rasool Allah!_”
Public-domain text, read in full here on John Shaqi.
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