In Barbary : $b Tunisia, Algeria, Morocco and the SaharaPowell, E. Alexander (Edward Alexander)
History
In Barbary : $b Tunisia, Algeria, Morocco and the Sahara
Powell, E. Alexander (Edward Alexander)
Africa, North -- Description and travel
Of all the monuments of this departed glory, the most impressive, the
most astounding, is the amphitheater at Thysdrus, or, to give it its Arab
name, El Djem. Set in a solitude of orange sand, where the Sahel runs
out in the Sahara, it is one of the most remarkable structures that I
have ever seen. It rises from a shallow, saucer-like depression in the
plain, as grandly as the pyramids at Gizeh, as abruptly as the walls
of the Grand Cañon. As we topped a rise in the road we could see its
towering, rose-brown walls, honeycombed with arches, twenty kilometers
away. From a distance it is profoundly imposing; close at hand it is
positively overwhelming. The grandest Roman monument in all Africa, it is
perhaps the best preserved building of its kind in the world, scarcely
inferior to the Colosseum at Rome. There is nothing to compare with it
in the monumental architecture of modern times. It is so large that it
completely conceals the native town which lies behind it. Though used
by the Arabs for centuries as a quarry, it was so colossal, so strongly
built, as to defy their attempts at destruction. The achievement of
building it is the more astounding when one realizes that the stones
used in this mountain of masonry were hauled by gangs of slaves and
teams of elephants and yokes of oxen, over roads specially constructed
for the purpose, from quarries twenty miles away. The mere sight of
that tremendous structure, rising solitary, majestic, and time-defying
from the lonely plain, does more than all the histories ever written to
impress one with the might of Rome.
Of Thysdrus, the splendid city which once stood upon the site of El Djem
and which gave to Rome three emperors named Gordian, nothing remains save
the amphitheater and some stones and marbles built into the wretched
native dwellings. The construction of the amphitheater is attributed to
Gordian the Elder, who sat on the imperial throne in the first half of
the third century A.D. During the blood-stained years which followed
its erection its arena was the scene of the torture and martyrdom of
thousands of Christians; the dungeons in which the condemned were
confined and the dens of the wild beasts may still be seen.
Public-domain text, read in full here on John Shaqi.
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