In Beaver Cove and ElsewhereCrim, Matt (Martha Jane)
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In Beaver Cove and Elsewhere
Crim, Matt (Martha Jane)
Georgia -- Fiction; Short stories, American
On her wedding-eve Euphemia came down clothed in the lilac gown,
cream-white roses on her breast, and the string of pearls around her
fair throat. Her family were puzzled and indignant, for that gown
somehow seemed linked with the memory of her sweetheart, who had died in
disgrace. It was a strange whim to wear it the night before her
marriage. But the evening passed merrily enough, and at eleven o’clock
the bedroom candles were lighted, and she went up the stairs to her room
with a smile on her lips, the lilac gown felling around her in soft,
shimmering folds.
It was the last time family, lover or friends ever looked upon Euphemia
D’Esterre. The next morning her room was empty. The pearls lay on the
dressing-table with the withered roses, and the lilac gown hung over the
back of a chair; but bride, bridal-gown and veil were gone. They looked
into the oratory, thinking that she had gone in there to breathe her
last virginal prayer before the simple altar, where she had knelt so
many times; but the light shining dimly through the narrow, veiled
window, revealed the sacred place silent, untenanted. They sought her
everywhere; they spent money lavishly, but to no purpose. She had
vanished forever.
Time and the fortunes of war had wrought many changes in the D’Esterre
family. My mother, a pale, melancholy young widow, and I—another
Euphemia D’Esterre—and Uncle Peter were the last of the family. And we
had drifted away from Louisiana to an old mansion on the Chattahoochee,
in Middle Georgia. Across the river lay the idle, sleepy old town of
Magnoliaville, with its shady streets, ivy-covered churches, and inn,
rarely visited by a traveler and stranger.
We had some old silver, my grandaunt’s picture, the pearls, and the
lilac gown. These were all the real treasures we had gathered from the
wreck of family fortunes; and Uncle Peter was the last living link
between us and the past. He was a very old man, his black face
shriveled into a network of wrinkles, his shoulders bent, his head
white, almost, as snow. He possessed great pride and dignity. His long
life had been spent in the services of the D’Esterres, and he refused to
leave them when freedom was proclaimed.
"Tu late fo’ dat now. I praise de Lawd I gwine die a free man, but I
b’long dis fambly tu long tu leave ’em now. Let all go dat feels lack
dey wanter, ole Peter gwine stay tel ’e dies; yes, tel ’e dies."
And he did stay, and was the favorite playfellow and companion of my
childhood.
"Yo’s de las’, Miss Phemy, honey, de las’ o’ dem all, and yo’s nuff lack
Miss Euphemy tu ’a’ been ’er twin. Lawd, but dis is er mighty strange
worl’—mighty strange," he would often say, shaking his white head. He
seemed to feel a certain responsibility and care toward me as the last
of the family.
Public-domain text, read in full here on John Shaqi.
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