In Beaver Cove and ElsewhereCrim, Matt (Martha Jane)
General
In Beaver Cove and Elsewhere
Crim, Matt (Martha Jane)
Georgia -- Fiction; Short stories, American
"Yes; Mr. Herman Vandala, from New Orleans. He arrived only yesterday,
to look after some land an agent had bought for him. My dear, he is a
splendid fellow, rich, and a pet of society, but not in the least
spoiled. He came across the river with us."
We were at the ferry, and in the light of the boatman’s lantern I could
see the stranger leaning on the railing guarding the water’s edge. He
was slender, and not above medium height, and when he threw his cigar
into the water, and turned toward us, a curious sensation, conviction—I
know not which—came over me, that I had met him before; that his dark,
handsome face, and clear, winning eyes were familiar to me, I stammered
when introduced, and stumbled so awkwardly when he held out his hand to
assist me into the boat, that my cloak dropped to the ground. It was
his turn to lose composure. He grew very pale, and stared at me as
though I embodied a ghost.
"I beg your pardon," he murmured; my wraps were restored, and I sank
tremblingly to the seat.
The remarks addressed to me, while crossing the river, were answered
only in monosyllables. A kind of breathless expectation had seized upon
me. What would happen next, I wondered? As often as I encountered Mr.
Vandala’s eyes, I felt the blood rush afresh to my face. When we
landed, to my relief, Mrs. Landsdell claimed the stranger as her escort,
leaving me to the care of her husband. But the moment an opportunity
presented itself, after we entered the ballroom, Mr. Vandala came to me.
"Miss D’Esterre, will you promenade with me?"
I accepted his offered arm, and we passed into the parlor.
"I am anxious to explain my strange behavior when you dropped your cloak
at the river," he said, in a low tone, his manner full of repressed
excitement. "You are the perfect image of an old miniature in my
possession, even to every detail of your dress, and I felt startled at
the sight of you."
I trembled, yet did not feel greatly surprised.
"If I could only see the miniature," I murmured, hesitatingly.
From an inner breast-pocket he instantly drew a small faded case, and
opened it.
"It is painted on ivory, and belongs to a past generation; but you—I can
hardly believe that you did not sit for it."
I bent eagerly over it, and saw an exquisitely painted portrait of my
grandaunt, evidently copied from the picture in our possession. The
blue-gray eyes smiled into mine, the sweet, curved lips seemed ready to
unclose in speech.
"Where did you get this picture?" I exclaimed, eagerly.
Public-domain text, read in full here on John Shaqi.
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