This was Kundoo’s grievance, and he spoke in the name of all the five men who, with Janki Meah, composed the gang in Number Seven gallery of Twenty-Two. Janki Meah had been blind for the thirty years during which he had served the Jimahari Collieries with pick and crowbar. All through those thirty years he had regularly, every morning before going down, drawn from the overseer his allowance of lamp-oil—just as if he had been an eyed miner. What Kundoo’s gang resented, as hundreds of gangs had resented before, was Janki Meah’s selfishness. He would not add the oil to the common stock of his gang, but would save and sell it. “I knew these workings before you were born,” Janki Meah used to reply: “I don’t want the light to get my coal out by, and I am not going to help you. The oil is mine, and I intend to keep it.” A strange man in many ways was Janki Meah, the white-haired, hot-tempered, sightless weaver who had turned pitman. All day long—except Sundays and Mondays, when he was usually drunk—he worked in the Twenty-Two shaft of the Jimahari Colliery as cleverly as a man with all the senses. At evening he went up in the great steam-hauled cage to the pit-bank, and there called for his pony—a rusty, coal-dusty beast, nearly as old as Janki Meah. The pony would come to his side, and Janki Meah would clamber on to its back and be taken at once to the plot of land which he, like the other miners, received from the Jimahari Company. The pony knew that place, and when, after six years, the Company changed all the allotments to prevent the miners from acquiring proprietary rights, Janki Meah represented, with tears in his eyes, that were his holding shifted, he would never be able to find his way to the new one. “My horse only knows that place,” pleaded Janki Meah, and so he was allowed to keep his land.