And Sir John Beaumont, in a carefully polished poem written before, but published after James's death, and entitled "To His late Maiesty, concerning the True Forme of English Poetry", bestowed upon him the more subtle flattery of calling him the Master whose "judicious rules" have been his guide.[256] Here the reference is to James, not only as a poet but as a critic also. For one of his early prose treatises was entitled _Reulis and Cautelis to be Observit and Eschewit in Scottis Poesie_. This was the manifesto of a group of poets, amongst whom were, in addition to the King himself, Alexander Montgomerie, the author of _The Cherry and the Slae_; Fowler, and the Hudsons, and whose aim was to found a school of Scottish poetry. This document contained a passage which is interesting enough to be quoted. Setting forth the "twa caussis" that have induced him to compose his treatise, the Royal lawgiver of Parnassus says: "The ane is; as for thame that wrait of auld, lyke as the tyme is changeit sinsyne, so is the ordour of poesie changeit. The other cause is; that as for thame that has written in it of late, there has never ane of thame written in our (Scottis) languag. For albeit sindrie hes written of it in English, quhilk is lykest to our language, zit we differ from thame in sindrie reulis of poesie, as ze will find be experience."[257] And we believe there are Scotsmen who will account it to James for righteousness that he at least made an attempt, abortive though it proved, to maintain Scotland's autonomy in language and in poetry. In forming an estimate of the King's poetical productions, it is but fair to bear in mind that "all of his poems, save three or four sonnets and the revisions of his early paraphrases of the Psalms, belong to the period of his reign in Scotland", and that "the greater portion of them were composed either before the publication of the first volume of his poems in his nineteenth year or in the time of romantic enthusiasm excited by his marriage".[258] We have "The First Verses that ever the King Made". They are written in a sententious vein which might be looked upon as characteristic of the author, were it not that this special feature "is one of the commonest in Scottish poetry of the Chaucerian tradition". And if, on the one hand, it cannot be claimed for them that they bear evidence of exceptional talent, on the other it must be admitted that, as the production of a lad of fifteen, they were quite creditable:-- Since thought is free, thinke what thow will, O troubled heart, to ease thy paine! Thought unreveeled can doe no ill, But words past out turne not again. Be cairfull, ay, for to invent The way to gett thyne owne intent. To play thyself with thy conceate, And lett none know what thow doth meane; Hope ay at last, though it be lait, To thy intent for to atteane: Whiles, lett it breake furth in effect, By ay lett witt thy will correct.