Mademoiselle de Montpensier gives in her diary an amusing account of her first acquaintance with this double stairway. She came, when a child, to Chambord to visit her father, Gaston, Duke of Orleans, who stood at the top of the stairs to receive her, and called to her to come to him. As she flew up one flight her agile parent ran down the other; upon which the little girl gave chase, only to find that when she had gained the bottom he was at the top. "Monsieur," she said, "laughed heartily to see me run so fast in the hope of catching him, and I was glad to see Monsieur so well amused." Having reached the central lantern we found ourselves upon a flat roof, surrounded by a perfectly bewildering maze of peaks, pinnacles, lanterns, chimneys and spires, which constitute what our guide is pleased to call the _ensemble de la toiture_. This vast terrace, which covers the main building of the palace, is one of the architectural marvels of France. Here it seems as if the architect had allowed himself unlimited freedom in decoration, in which he was aided by such artists as Jean Goujon and Cousin, who zealously worked upon the ornamentation of these bell turrets, balconies and towers, as if to prove the sincerity and beauty of French art. This luxuriant flowing forth, in stone carving, of foliage, flower, boss and emblem, has resulted in an ensemble of indescribable charm, the dazzling light stone of Bourre, of which the chateau is built, lending itself harmoniously to the elaborate Renaissance decoration. It was of Jean Goujon, whose exquisite work we see now and again in these chateaux, that some writer has said, that the muse of Ronsard whispered in the ear of the French sculptor, and thus Goujon's masterpieces were poems of Ronsard translated in marble. It is a rather pretty fancy, but Lydia and I cannot remember its author. Walter says that he can understand why the Counts of Blois built their castle here, as this place seems to have formed part of a system of fortresses which guarded the Loire, making it possible, in the time of Charles VII, for Joan of Arc to move her army up the river to Orleans; but why Francis should have transformed this old castle into a palace is not so easy to understand. When so many more attractive sites were to be found, it seems strange that he should have chosen this sandy flat upon the border of what was then the sad and barren Solange. One reason given is that the country about Chambord was rich in game, and we know that Francis was an inveterate hunter; another theory is that a charming woman, the Comtesse de Thoury, one of the early loves of the King, had a manor in the neighborhood. "Both excellent reasons!" exclaimed Archie, "Dame Quickly is evidently an apt student of human nature."