The house on Bank Street was just what he had expected to find it--small, unornamental, painted white, and modestly putting forth a few vines as if with a desire to clothe itself, which had not been encouraged by Nature. The vines had not flourished and they, as well as the few flowers in the yard, were dropping their scant foliage, which turned brown and rustled in the autumn wind. Before ringing the bell, Baird stood for a few moments upon the threshold. As he looked up and down the street, he was pale and felt chilly, so chilly that he buttoned his light overcoat over his breast and his hands even shook slightly as he did it. Then he turned and rang the bell. It was answered by a little woman with a girlish figure and gray hair. For a moment John Baird paused before speaking to her, as he had paused before ringing the bell, and in the pause, during which he found himself looking into her soft, childishly blue eyes, he felt even chillier than at first. "Mrs. Latimer. I think," he said, baring his head. "Yes," she answered, "and you are Mr. Baird and have come to see Lucien, I'm sure." She gave him her small hand with a smile. "I am very glad to see you," she said, "and Lucien will be glad, too. Come in, please." She led the way into the little parlour, talking in a voice as soft and kindly as her eyes. Lucien had been out, but had just come in, she fancied, and was probably upstairs. She would go and tell him. So, having taken him into the room, she went, leaving him alone. When she was gone, Baird stood for a moment listening to her footsteps upon the stairs. Then he crossed the room and stood before the hearth looking up at a picture which hung over the mantel. * * * * * He was still standing before it when she returned with her son. He turned slowly to confront them, holding out his hand to Latimer with something less of alert and sympathetic readiness than was usual with him. There was in his manner an element which corresponded with the lack of colour and warmth in his face. "I've been looking at this portrait of your--of----" he began. "Of Margery," put in the little mother. "Everyone looks at Margery when they come in. It seems as if the child somehow filled the room." And though her soft voice had a sigh in it, she did not speak in entire sadness. John Baird looked at the picture again. It was the portrait of a slight small girl with wistful eyes and an innocent face. "I felt sure that it was she," he said in a lowered voice, "and you are quite right in saying that she seems to fill the room." The mother put her hand upon her son's arm. He had turned his face towards the window. It seemed to Baird that her light touch was at once an appeal and a consolation.