“We have called a meeting for to-night,” said the count, “and until that
is held I can tell you nothing final. But you have a right to know my
own design. We can really do nothing practical until we are armed. But I
shall propose to quit England to-morrow. I shall leave Captain Fyffe to
the negotiations with Quorn, and shall arrange for communications across
the frontier, which will enable me to judge of the best place and the
wisest hour for an attack. I shall go alone, because I wish to excite as
little notice as possible.”
“You must not go alone,” she said, and made a movement towards him with
her hands half extended. It was just such a movement as you will see a
mother make towards a child that has not quite learned to walk and is
in danger of falling. I could see the maternal instinct beaming in her
face. The beautiful girl beside this grizzled and prematurely aged man
was motherly all over, and it was a lovely and a touching thing to see.
The count saw her meaning in a second, and drew back from her with a
melancholy and affectionate smile, holding out both hands against her.
“I must go alone,” he said.
“No, no!” cried Violet, taking both his outstretched hands in hers, and
bending over him with a look of infinite protection. “My poor dear, have
you not suffered enough, and run dangers enough already? I could not
bear to be away from you.” He was about to speak, but she closed his
lips gently with the palm of her hand. “I have not been your daughter
long,” she said, with a little catch in her voice which took me at the
throat and made my heart ache with tenderness and pity for her. “I can
give you up, dear, when the time comes, but not an hour before.”
“Should I not be happy, Fyffe?” asked the count, turning to me with
tears in his eyes. “No, no, dearest, you will wait in England. I shall
leave you in safety, for I will take nothing with me--no, not a thought,
if I can help it, which would make me a coward for Italy.”
“I can give you up when the time comes,” she repeated, simply, “but not
now. I will not ask you to take me into any danger. I don't think,” she
went on, striving to make something of a jest of it, and to hide the
deeper feeling which controlled her so strongly--“I don't think that I
am fond of danger or that I should like it at all; but there is no real
reason why I should not be with you just at first.”
Public-domain text, read in full here on John Shaqi.
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