In Eastern Seas: Or, the Commission of H.M.S. 'Iron Duke,' flag-ship in China, 1878-83Smith, J. J.
History
In Eastern Seas: Or, the Commission of H.M.S. 'Iron Duke,' flag-ship in China, 1878-83
Smith, J. J.
Iron Duke (Ship); Voyages and travels
The music halls are not more enlivening than are the theatres, though
the sight of an interior is worth the ten _sen_ fee, if only to see
their manner of conducting the opera. If you imagine the interior of a
church, having all its pews removed, leaving only the cant pieces on
which they were erected, and the spaces between these pieces covered and
padded with the beautiful rice-straw matting of the country, you will
get a fairly good idea of the simple fittings of a Japanese music hall.
A whole family seats itself in one of these squares; and as a concert in
this country is really a formidable affair, they bring their braziers,
teapots, and chow-boxes with them. The performer--a lady--is seated,
tailor fashion, on a raised platform, a music desk in front of her, and
her musical instruments near at hand. The Japanese, like the Chinese,
sing from the throat, and the effect produced on the tympanum is that of
an amorous tom-cat chanting to his lady-love at midnight. The words she
is singing, and has been singing for the--a friend who was with me said
"_the last week_;" but knowing him to be a joker, I accept the statement
with caution--for the last six hours, and which she will probably
continue to sing for the next six, contain rather too much levity and
grossness, could we understand them, to be at all suitable even for
sailors. But her present audience receive them with the utmost
indifference, only betraying that they are at all conscious of what is
going on by an occasional clapping of the hands. Now and again the
singer has a spell and a libation of saki, an attendant keeping her
liberally supplied in this item, of which she manages to drink a
quantity during her song; and, by way of a change at these times, she
enters into a monologue or a recitation. Taken and viewed in an artistic
light, the audience in their rich gala dresses is a pleasing piece of
color and of harmonic contrasts.
Close to the temple a crowd is gathered around a horse box, in which is
a milk-white steed--sacred, of course. Before him a little table is
placed, covered with tiny saucers filled with beans; and the devout--and
we in particular--can have the puerile satisfaction of seeing him munch
his comfits in a strangely horselike manner for the small sum of a
"_sen_!" Near at hand are some more sacred creatures--hundreds of
turtles in a slimy pond rear their snake-like heads through the thick
green water for the pieces of biscuit and little red balls of prepared
food which the children are constantly flinging into their midst. These
reptiles, it may be remembered, form an important figure-subject in
Japanese carvings, paintings, and bronzes.
Public-domain text, read in full here on John Shaqi.
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