As this town is the great point of contest between the Japanese and the foreigner, everything in the shape of "_curios_" can be obtained in its marts and bazaars. Most of the objects are novel to us, and from their attractiveness generally induce sailors to purchase on the strength of that very quality. Except in very rare instances a piece of real lacquer can scarcely be obtained, most of it having already found its way to Europe; that which we see here is made chiefly for sailors, who needs must take something home--they care not what, nor are they very particular about the price asked. And how well these people have studied the "tar;" how they have discovered his weakness for startling colours! I am writing this about four years subsequent to this, our first visit, and one would think, that four years was amply sufficient for the purpose of opening our eyes to deceptions. Have they though? Not a bit of it, for we are quite as ready to be "taken in" to-day or to-morrow, as we were four years since. Still, there are some very handsome and, now and then, really elegant things to be picked up in the shops: bronzes, lacquers, china, tortoise-shell earrings, fans, paintings, or silk, combining in their execution, the most educated taste, and the most wonderful skill. Generally speaking a "Japper" after naming a price will rarely retract. The Chinaman always will, the rogue! The Japanese know this peculiarity of the Chinaman, and nothing will wound a Jap's self-respect more than to compare his mode of dealing with the celestial's. They seem to enjoy arguing and chaffering over prices, and will frequently go to the length of pulling down masses of paper, supposed to be invoices, to shew that they are asking you fair. We pretend to examine these inventories with a most erudite expression on our ignorant faces, and invariably commence to open the wrong end of the book, forgetful that the Japanese commence at what we call the last page. The dealers display the utmost indifference as to whether you buy or not, and you may pull their shops to pieces without raising their ire in the slightest, for they will bow to you just as ceremoniously on leaving as though you had purchased twenty dollars' worth. Strange as Japanese art appears to us, there is design in all their executions. This presents a marked contrast to Chinese art, which appears to be simply the result of the artist's fancy. A Chinaman seems to have no idea, when he commences a thing, what he is going to produce, he goes on cutting and scraping, taking advantage of, here a vein in a stone, perhaps, or there a knot in the gnarled branches of a tree, and his imagination, distorted by the diabolical forms with which his superstition surrounds him, does the rest. * * * * * And now I will ask you to take a run with me to Tokio, the capital of Japan.